Last updated October 21, 2026
Cover of Galaxy (Openskye, 1979), by The Players with Hiromasa Suzuki, one of the albums recommended below. Album artwork, shown for identification; it is not a photograph of the artist and is not Creative Commons. Standard copyright, all rights reserved, held by CBS/Sony (Openskye), or its successor. This is not a Creative Commons or public-domain image; it is an album cover shown as an honestly disclosed editorial identification image. — https://musicbrainz.org/release/ed3e661f-5fcb-4f1c-8883-5bbfd5814036
Tsunehide Matsuki (松木恒秀, Matsuki Tsunehide in Japanese order) was a Japanese guitarist, arranger and producer, born in Tokyo on 8 August 1948 and passed away on 18 June 2017 at the age of 68. In Japan he is remembered first as one of the busiest studio guitarists of the 1970s and 1980s, a sound on records by Tatsuro Yamashita, Mariya Takeuchi, Minako Yoshida and Taeko Ohnuki. The part of his career that sits closest to jazz is just as long: a place in the Shinjuku and Roppongi Pit Inn circuit from 1968, years in Jiro Inagaki's Soul Media and in Hiromasa Suzuki's Colgen Band and The Players, and records with Toots Thielemans, George Otsuka, Yasuko Agawa and Sadao Watanabe.
He heard records by Charlie Parker and Miles Davis at a friend's house as a young teenager, bought a Teisco guitar, took lessons, and by 16 was playing in amateur bands. He then led a group called The M and played in Kiyoshi Tanaka's Jr. Boys. In 1968 he joined Jiro Inagaki's Big Soul Media, and that year he made his first appearance on the stage of Shinjuku Pit Inn, the Tokyo jazz club he kept returning to for decades. His earliest credits on Discogs come from the early 1970s: Hiro Yanagida's Hiro (URC, November 1972), on which he is one of four electric guitarists alongside Ken Yajima, Kiyoshi Sugimoto and Masayoshi Takanaka; Tatsuya Takahashi's jazz-rock set The Rock Seasons (Express, March 1973); and, in 1973, Inagaki and Soul Media's By The Red Stream and In The Groove for Nippon Columbia.
The mid-1970s made him a first-call session player. He is the harmonica and rhythm guitar on Kiyoshi Sugimoto's jazz-funk date Our Time, recorded at Nippon Columbia's No. 1 Studio in Tokyo on 28 December 1974 and 10 and 28 January 1975, and the guitarist on the Mighty Salad Syndicate's Soul On! (Victor, 1974). From 1975 he was on Minako Yoshida's records, and through Yuji Ohno's You & Explosion Band he became, in the words of Japanese press retrospectives, the guitar sound of the Lupin III television series, playing as well on the film scores for The Inugami Family (1976) and Proof of the Man (1977) and the Proof of the Man album (Atlantic, 1977). He first appeared on a Tatsuro Yamashita album with Spacy (1977), and he was the main guitarist on the double live album It's a Poppin' Time (1978).
The band closest to his own sound was Hiromasa "Colgen" Suzuki's. Japanese press accounts describe the Colgen Band as a unit that mostly backed singers and played film music, and Matsuki is the electric guitarist on Suzuki's Skip Step Colgen (Toshiba, 1977) with the bassist Akira Okazawa. Taking cues from Herbie Hancock's Head Hunters, Weather Report and Stuff, the group turned into The Players: Suzuki on keyboards, Matsuki, Okazawa, the drummer Yuichi Togashiki and the saxophonist Mabumi Yamaguchi. Their first album as The Players, Galaxy, was recorded at CBS Sony Studio in Tokyo in April 1979. Wonderful Guys followed in 1980 with Terumasa Hino on trumpet and Janice Pendarvis on vocals, then Madagascar Lady (1981), Space Travel (1982), Jack-A-Dandy (1983), Up To You (1984) and Live (1985). In 1981 and 1982 The Players were regulars on Tamori's Nippon TV show Konya wa Saiko!, which made the group's name known well beyond the jazz audience.
Some of his most explicitly jazz-world records date from 1978 to 1980. On the CBS/Sony guitar showcase New York (21 November 1978) he shares the billing with seven other guitarists, including Masaki Matsubara, and contributes his own composition and arrangement "Hymn to Stuff". Kaleidoscope (Warner Bros., 25 September 1979) is billed to the pianist Naoya Matsuoka, the harmonica player Toots Thielemans and Matsuki himself, and has him on guitar on all five tracks, with Kiyoshi Sugimoto among the other guitarists, Shuichi "Ponta" Murakami on drums and a horn section of Hidefumi Toki, Yasuaki Shimizu and Shigeharu Mukai. In 1980 he played electric guitar on George Otsuka's Maracaibo (Trio Records), a date with the Czech bassist Miroslav Vitous and the Brazilian percussionist Nana Vasconcelos, and he is on Toots Thielemans's Apple Dimple (Better Days) the same year.
He was also a regular guitarist for jazz singers. He is credited on Yasuko Agawa's Journey (1980, where he is also one of several arrangers) and Night Line (1983, where he and the keyboardist Soichi Noriki share a sound-producer credit), and the Tsunehide Matsuki Group is the backing band on four tracks of her Lady September (1985). Other singer dates include Kimiko Kasai's Tokyo Special and Love Celebration (both 1977), Salena Jones's Stormy With Luv (1980) and Melodies of Love (1981), Nancy Wilson's Keep You Satisfied (Interface, 1985) and Kimiko Itoh's Standards My Way (1996). Japanese reports of his career add that he played in the bands of Terumasa Hino and Sadao Watanabe; a Discogs track credit places him on electric guitar on two pieces of Watanabe's Good Time For Love (WEA, 1986). Japanese accounts also say that Ryuichi Sakamoto was a member of the Matsuki Tsunehide Band, which he led at Roppongi Pit Inn.
From 2004 he supervised the records of the singer Michiko Takada, playing guitar and blues harp on Night Buzz (2004), Talea Dream (2005) and Tokyo Girls Talk (2008) and arranging or producing on the latter two. The band he led in later years, What is HIP?, brought together Ponta Murakami on drums, the bassist Kenji Takamizu and the keyboardist Soichi Noriki; the same three players are on Night Line in 1983. He stopped performing for a time in 2012, appeared at the concert marking the 50th anniversary of Pit Inn in December 2015, and in 2016 arranged for Mariya Takeuchi and recorded with What is HIP?. His death on 18 June 2017 was announced three days later on the band's official Facebook page. Arrangements were kept private, in keeping with his own wishes, and the radio station SBS broadcast a memorial special for him on 23 July 2017.
Real Sound's retrospective on his career describes a guitarist who was never flashy: finger-driven, mellow in his phrasing, and soulful and bluesy enough that the writer compares him to the American session player Eric Gale. Gale was a member of Stuff, one of the bands Matsuki and Hiromasa Suzuki looked to when they turned the Colgen Band into The Players. In a PHILE WEB interview about his Pit Inn years he talks about the rise of jazz-rock and fusion in Japan, with Miles Davis's electric period and Weather Report as touchstones.
His identity is genuinely split, and it is worth saying so plainly. By volume, his name appears most often in pop and city-pop credits, where his unhurried, blues-based fills were a studio signature for Yamashita, Ohnuki and Yoshida. The groups he belonged to were jazz-fusion and jazz-funk groups (Jiro Inagaki and Soul Media, Hiromasa Suzuki's Colgen Band and The Players, George Otsuka's Maracaibo, his own Matsuki Tsunehide Band), the albums credited to those groups are all classified as jazz on Discogs, and the German Wikipedia, citing the Tom Lord jazz discography, counts him on 37 jazz recording sessions between 1973 and 1998. Japanese Wikipedia files him with Japanese fusion musicians. That is the reading this profile follows: a fusion and jazz-funk guitarist who also made his living in pop studios.
Japanese electric and acoustic guitarist, arranger and producer, born in Tokyo on 8 August 1948 and passed away on 18 June 2017. Discogs artist 623505. A leader's own discography in the usual sense does not exist for him: he recorded as a member of bands and as a first-call sideman, and the only releases that carry his name on the cover are two co-billed albums, Kaleidoscope (1979) and the multi-guitarist New York (1978). Everything below is therefore organised by the role he held on each record.
Name variations on record: Tsunehide Matsuki, Matsuki Tsunehide, T. Matsuki, H. Matsuki, Hide Matsuki, Tsunehide (Hidebo) Matsuki, 松木恒秀, and the misspellings 松元恒秀, 松本恒秀, 松木恒彦 and Tsunehide Matsumoto.
Group affiliations: The Players, Maracaibo, Jiro Inagaki & Soul Media, Colgen Band, Eiji Arai & The Beatsounds, Mighty Salad Syndicate (マイティ・サラダ・シンジケート), Tsunehide Matsuki Group, What is HIP?.
| Album | Year | Label | Co-billed with | Notes | Listen | Buy |
|---|---|---|---|---|---|---|
| Kaleidoscope | 1979 | Warner Bros. Records, M-11005W | Naoya Matsuoka, Toots Thielemans | Released 25 September 1979. Five tracks: "Fall Forever" (11:06), "Dried Flower & Dried Love" (9:37), "Ivory Islands" (4:38), "Cadillac" (6:26), "Fancy Prance" (10:34). Matsuoka (piano, keyboards, composer, arranger), Thielemans (harmonica, tracks A1 and B3), Matsuki (guitar, all tracks), Kiyoshi Sugimoto (guitar), Hiroshi Yasukawa (lead guitar), Takayuki Hijikata (guitar), Getao Takahashi and Michio Nagaoka (bass), Shuichi Murakami (drums), Pecker (percussion), Hidefumi Toki (soprano saxophone), Yasuaki Shimizu (tenor saxophone), Shigeharu Mukai (trombone), Hiroshi Sukegawa (synthesizer). | YouTube - "Dried Flower and Dried Love" | Amazon |
| New York | 1978 | CBS/Sony, 25AH 503 | Kazumasa Akiyama, Kenji Omura, Shigeru Suzuki, Kazuo Takeda, Masaki Matsubara, Kimio Mizutani, Masaru Yajima (Ken Yajima) | Released 21 November 1978. Eight tracks, each by a different guitarist-arranger; Matsuki's is "Hymn To Stuff" (A4, 6:47), credited to him as composer and arranger. Reissued by GT Music (MHCL 30127) on 24 July 2013 with track-by-track personnel in the booklet. | Apple Music - New York | Amazon |
| Album | Year | Label | Personnel | Notes | Listen | Buy |
|---|---|---|---|---|---|---|
| In The Groove (Jiro Inagaki & Soul Media) | 1973 | Nippon Columbia, NCB-7021 | Tsunehide Matsuki (electric guitar); Jiro Inagaki and band | Ten tracks; the group's turn from psychedelic jazz-rock to soul-jazz. | Spotify · Apple Music | Amazon |
| By The Red Stream (Jiro Inagaki & Soul Media, with Hiromasa Suzuki) | 1973 | Nippon Columbia, NCB-7019 | Tsunehide Matsuki (guitar); Hiromasa Suzuki (composer, arranger, conductor); Jiro Inagaki and band | Jazz-rock big-band set composed, arranged and conducted by Suzuki. | not found | not found |
| Soul On! (Mighty Salad Syndicate) | 1974 | Victor, TLP-592 | Tsunehide Matsuki (guitar); Takeru Muraoka (tenor and soprano saxophones, flute); Shunzo Sunahara (baritone saxophone); Jun Fukamachi (keyboards); Akira Okazawa and Isao Eto (bass); Shuichi Murakami and Akira Ishikawa (drums) | Jazz-funk. Reissued on CD as Victor CD4B-5076. | not found | not found |
| Galaxy (The Players with Hiromasa Suzuki) | 1979 | Openskye, 25AP 1011 | Hiromasa Suzuki (piano, Rhodes, synthesizers, composer, arranger, conductor); Tsunehide Matsuki (electric guitar); Akira Okazawa (electric bass); Yuichi Togashiki (drums); Mabumi Yamaguchi (soprano and tenor saxophones); Tadaomi Anai (congas, percussion); brass and the Tomato Strings | Eight tracks from "Galaxy" to "Misty Moonlight". Recorded and mixed at CBS Sony Studio, Tokyo, in April 1979. | YouTube - full album | Amazon |
| Wonderful Guys (The Players) | 1980 | Openskye / CBS/Sony, 25AP 1757 | Hiromasa Suzuki (piano); Tsunehide Matsuki (electric and acoustic guitars); Akira Okazawa (electric bass); Yuichi Togashiki (drums); Mabumi Yamaguchi (soprano and tenor saxophones); Tatsuji Yokoyama (percussion); Terumasa Hino (trumpet); Janice Pendarvis (vocals) | Nine tracks, "Second Sight" to "Pearceful Sleep". Recorded and remixed at CBS Studio, Tokyo, in November and December 1979. Reissued on SACD by Sony Records in 2001. | not found | Amazon |
| Maracaibo (Maracaibo, led by George Ohtsuka) | 1980 | Trio Records, PAP-9214 | George Ohtsuka (drums); Tsunehide Matsuki (electric guitar); Miroslav Vitous (electric bass, synthesizer); Nana Vasconcelos (percussion, voice); Mabumi Yamaguchi (tenor saxophone); Hiroshi Irie and Toshiyuki Sekine (synthesizers) | Four pieces: "Mucarabu", "American Tango", "Spring 80" and "Maracaibo Cornpone" (16:37). | Apple Music | Amazon |
| Digital Explosion (Yuri Tashiro Piano Trio / Eiji Arai & The Beatsounds) | 1980 | Eastworld, EWJ-80181 | Tsunehide Matsuki (guitar, side B tracks 1 to 3) with Eiji Arai & The Beatsounds | Split album; Matsuki appears on the Beatsounds side. | not found | not found |
| Madagascar Lady (The Players) | 1981 | Openskye / CBS/Sony, 28AH 1293 | Hiromasa Suzuki (piano, electric piano, synthesizer); Tsunehide Matsuki (electric guitar, voice, whistle); Akira Okazawa (electric bass, vocals); Yuichi Togashiki (drums, timpani); Mabumi Yamaguchi (soprano and tenor saxophones); Robert Thomas Jr. (congas, bongos, percussion) | Matsuki is also credited with vocals and whistle. | not found | not found |
| Space Travel (The Players) | 1982 | CBS/Sony, 28AH 1469 | Hiromasa Suzuki (piano, synthesizers, producer); Tsunehide Matsuki (electric guitar); Akira Okazawa (electric bass, vocals); Yuichi Togashiki (drums, percussion); Masaki "Bob" Saito (tenor and soprano saxophones); Kenji Nishiyama (trombone); Susumu Kazuhara (trumpet) | A single "Space Travel / Murmur" credited to The Players & Hiromasa Suzuki also appeared on streaming services in July 2026. | YouTube | not found |
| Jack-A-Dandy (The Players) | 1983 | CBS/Sony, 38DH 60 | Hiromasa Suzuki (piano, synthesizer, producer); Tsunehide Matsuki (electric guitar); Akira Okazawa (electric bass, vocals); Yuichi Togashiki (drums); Masaki "Bob" Saito (saxophone) | Lyrics by Linda Hennrick. | YouTube - full album | not found |
| Up To You (The Players) | 1984 | CBS/Sony, 28AH 1792 | Hiromasa Suzuki (piano, arranger); Tsunehide Matsuki (guitar, vocals); Akira Okazawa (bass, vocals); Yuichi Togashiki (drums); Masaki "Bob" Saito (saxophones, arranger); Seiichi Nakamura (saxophones, bass clarinet) | not found | not found | |
| Live (The Players) | 1985 | CBS/Sony, 28AH 1918 | Hiromasa Suzuki (keyboards, synthesizer); Tsunehide Matsuki (guitar); Akira Okazawa (bass); Yuichi Togashiki (drums); Masaki "Bob" Saito and Seiichi Nakamura (tenor saxophones) | not found | not found | |
| Lady September (Yasuko Agawa, backed by the Tsunehide Matsuki Group) | 1985 | Invitation, VDR-1087 | Tsunehide Matsuki Group (backing band, tracks 1, 2, 8 and 9); Matsuki also credited with chorus | Agawa's album; the Tsunehide Matsuki Group is Discogs entity 4721856. | Apple Music | Amazon |
| Album | Year | Label | Artist | Notes | Listen | Buy |
|---|---|---|---|---|---|---|
| Night Line (ナイト・ライン) | 1983 | Invitation, VIH-28139 | Yasuko Agawa | Matsuki plays guitar and shares the sound-producer credit with the keyboardist Soichi Noriki. Rhythm section: Kenji Takamizu (bass), Shuichi Murakami (drums), Noriki (keyboards, synthesizer). | Apple Music | Amazon |
| How About This | 1986 | Invitation, VIH-28272 | Tamori | Arranger and sound producer; credited with guitar, acoustic guitar, electric bass, piano, synthesizers and Linn Drum programming. | not found | not found |
| Night Buzz | 2004 | Sony Records Int'l, SICP 10012 | Michiko Takada | Guitar and blues harp. | not found | not found |
| Talea Dream | 2005 | Sony Records Int'l, SICL 125 | Michiko Takada | Arranger and supervisor; guitar and blues harp. | not found | not found |
| Tokyo Girls Talk | 2008 | Sony Records Int'l, SICL 179 | Michiko Takada | Sound producer and arranger; guitar and blues harp. Reissued by Great Tracks in 2023. | Apple Music | not found |
| Album | Year | Label | Leader or billed artist | Notes | Listen | Buy |
|---|---|---|---|---|---|---|
| Hiro | 1972 | URC, URG-4017 | Hiro Yanagida | One of four electric guitarists, with Ken Yajima, Kiyoshi Sugimoto and Masayoshi Takanaka. Released 25 November 1972. | not found | not found |
| The Rock Seasons | 1973 | Express, ETP-92004Z | Tatsuya Takahashi & Tokyo Union Orchestra | Guitar; arrangements by Kiyoshi Yamaya. Released 5 March 1973. | YouTube - full album | not found |
| The Brilliant Dimension Of Terry | 1973 | King Records, SKA63 | Takeshi Terauchi | Electric guitar on side B, tracks 1 to 6. | not found | not found |
| Our Time | 1975 | Columbia, KZ-7505 | Kiyoshi Sugimoto | Rhythm guitar, and harmonica on "Take My Blues!!". Recorded at Nippon Columbia No. 1 Studio, Tokyo, on 28 December 1974 and 10 and 28 January 1975; with Hiromasa Suzuki, Akira Ishikawa, Motohiko Hino and Shuichi Murakami. | Apple Music | Amazon |
| Singer Lady | 1975 | Columbia, JDX-7072 | Hatsumi Shibata | Electric and acoustic guitar. | not found | not found |
| Skip Step Colgen | 1977 | Toshiba, LF-91028 | Hiromasa Suzuki | Electric guitar in the Colgen New Band, with Akira Okazawa (electric bass), Yasushi Ichihara (drums), Takeru Muraoka (saxophone) and Mabumi Yamaguchi (tenor saxophone). Recorded in Tokyo in March and April 1977. | not found | Amazon |
| Tokyo Special | 1977 | CBS/Sony, 25AP 730 | Kimiko Kasai | Guitar. | not found | not found |
| Vibration = Love Celebration | 1977 | CBS/Sony, 06SP 186 | Kimiko Kasai | Guitar. | not found | not found |
| Wings Of Love | 1977 | Victor, SGS-1 | Yasunori Soryo | Guitar. | not found | not found |
| Secret Love | 1977 | Toshiba, TP-60182 | Mitsuo Hagita | Guitar. | not found | not found |
| Proof Of The Man = 人間の証明 | 1977 | Atlantic, K-10004A | Yuji Ohno & His Project | Film soundtrack; guitar. | not found | not found |
| L.A. Master | 1978 | Express, ETP-80020 | Kiyoshi Sugimoto | Electric guitar. | not found | not found |
| Shining Wave | 1979 | Far East, ETJ-85005 | Anli Sugano | Electric guitar, with Hiromasa Suzuki on keyboards. | YouTube - full album | not found |
| Triton = トリトン | 1979 | Kaeru Production Company Records, LRs-642 | Hiromasa Suzuki | Electric guitar. | Apple Music (billed 鈴木宏昌 & コルゲン・バンド) | not found |
| あるものは愛だけ...。 | 1979 | Express, ETP-72318 | Hiroshi Okazaki | Electric guitar. | not found | not found |
| Journey = ジャーニー | 1980 | Invitation, VIH-28022 | Yasuko Agawa (billed Yasuko, Love-Bird) | Guitar, and one of several arrangers. | Spotify | Amazon |
| Apple Dimple = 真夜中のカウボーイ'80 | 1980 | Better Days, YX-7256-ND | Toots Thielemans | Guitar. | not found | not found |
| Stormy With Luv | 1980 | JVC, VIJ 6304 | Salena Jones | Guitar. | not found | not found |
| Melodies Of Love | 1981 | JVC, VIJ-28007 | Salena Jones | Guitar. | not found | not found |
| Keep You Satisfied | 1985 | Interface, YF-7102 | Nancy Wilson | Guitar. | not found | not found |
| Rivage | 1986 | Polydor, H33P 20087 | Masaru Imada | Guitar on track 1, "Melodious Summer". | not found | not found |
| Good Time For Love | 1986 | WEA, 253 037-1 | Sadao Watanabe | Electric guitar on "All The Way" and "Loving You Is Easy" (side B, tracks 3 and 4). | not found | not found |
| Melodies = メロディーズ | 1986 | Invitation, VIH-28265 | Yasuko Agawa | Electric guitar. | not found | not found |
| Just! | 1987 | Who Ring, RT28-5014 | Soichi Noriki | Guitar on "Moon Dance". | not found | not found |
| 10th Avenue | 1988 | Invitation, VDR-1540 | Yasuko Agawa | Arranger of "Lover, Come Back To Me!". | not found | not found |
| Double Face | 1989 | Om, M32D-1004 | Tomohito Aoki | Guitar on "Forgive Me - Risa Interlude". | not found | not found |
| Standards My Way | 1996 | One Voice, VACV-1019 | Kimiko Itoh | Guitar. | YouTube - full album | not found |
Chronological list of the remaining releases on which Discogs credits him, most of them pop, city-pop, kayokyoku and soundtrack sessions.
Matsuki is also credited on pressings of the You & The Explosion Band Lupin The 3rd soundtracks (1977 and 1978), which Discogs lists as unofficial releases.