Gregory Hutchinson on drums with the Gerald Clayton Trio at the INNtöne Jazzfestival, Diersbach, Austria, July 24, 2022 CC BY-SA 4.0 (Creative Commons Attribution-ShareAlike 4.0 International; attribution: Bernd Scholkemper, Wikimedia user Schorle, own work). License read off the file page wikitext, which carries {{self|cc-by-sa-4.0}}, not off a search snippet. — Wikimedia Commons - https://commons.wikimedia.org/wiki/File:Greg_Hutchinson_(2022).jpg
Gregory Hutchinson was born June 16, 1970 in Brooklyn to Caribbean parents, and the two halves of his playing were both in the house before he left it. His father was a percussionist who led a reggae band called the Triadics and recruited his son into it young; his mother owned a record collection that had been in her family for two generations, running across jazz, soul and funk. Outside, hip-hop was being invented in real time, and Hutchinson has said the Furious Five, Busy Bee and Kool Moe Dee mattered to him exactly as much as the records indoors. He studied privately at the Manhattan School of Music with Justin DiCioccio and took lessons from two of New York's most exacting jazz drummers, Marvin "Smitty" Smith and Kenny Washington. Washington's assessment of the teenager, quoted in a mid-1990s press biography, was that he was "one of very few young drummers who's learning the insides of the drums and the music," and that unlike most players his age "he listens."
He was still in school when trumpeter Red Rodney hired him and took him touring in the United States and abroad, in 1989 and 1990. That tenure is where every account of his career begins, and it is worth being precise about it: no commercially issued album came out of it. Rodney's Then and Now, the studio date closest to those years, was cut in New York in May 1992 with Jimmy Madison on drums. The Rodney association was a bandstand education, not a discography entry. The recorded career starts instead with pianist Stephen Scott recommending him to Betty Carter, who put him in her trio for two years. Hutchinson has been blunt about what that taught him, describing a sense of coloring, dynamics and control he did not have before, and joking that Carter laid down beats slow enough that he "could literally take a dinner break in between some of those beats." His first album credit, at nineteen, is Carter's Droppin' Things, recorded live at The Bottom Line on May 25 and 26, 1990.
The 1990s made his reputation twice over. He joined the Roy Hargrove Quintet and stayed through the trumpeter's Novus and Verve years, on The Vibe (1992), Of Kindred Souls (1993), With the Tenors of Our Time (1994) and Family (1995), a run that put a young rhythm section in front of Johnny Griffin, Branford Marsalis, Stanley Turrentine and Joshua Redman on successive tracks. In parallel he was hired by the older generation. Joe Henderson used him on Lush Life: The Music of Billy Strayhorn, recorded at Van Gelder Studios on September 3, 6 and 8, 1991 with Christian McBride, Stephen Scott and Wynton Marsalis, and issued by Verve in February 1992. It went to number one on the Billboard jazz chart and held there for two months, won Henderson a Grammy for Best Jazz Instrumental Performance, Soloist, on the title track, and drew a review from Gary Giddins that singled out Hutchinson's drumming as "elegant and dancing." Then in 1995, at twenty-five, he took over the drum chair in the Ray Brown Trio from Jeff Hamilton, a job that came with a house-band schedule and a Telarc contract: Seven Steps to Heaven (1995), Some of My Best Friends Are... The Sax Players (1996), the Scullers Jazz Club nights of October 17 and 18, 1996 that produced both Live at Scullers and SuperBass, Summertime (1998), Christmas Songs (1999), and finally the January 2000 Avatar Studios sessions that make up most of Walk On: The Final Ray Brown Trio Recording, released in July 2003, a year after Brown's death.
By the turn of the century he was the drummer of choice for two very different kinds of date. One was the working quartet: Joshua Redman built a band around him, Aaron Goldberg and Reuben Rogers for Beyond (2000) and Passage of Time (2001), reconvened the same four for Come What May nearly two decades later in 2019, and used him alongside Brian Blade on the double-trio Compass (2009). The other was the high-profile singer's record, where the brief is to be inaudible and indispensable at once: Dianne Reeves's The Calling, a Sarah Vaughan tribute recorded at O'Henry Studio in Burbank in September 2000, won the Grammy for Best Jazz Vocal Album. Alongside all of that he was working outside jazz entirely, touring in Common's live band on the Like Water for Chocolate dates and gigging with Erykah Badu, connections that came through his friend Karriem Riggins, the jazz drummer and hip-hop producer to whom Hutchinson has said he handed off nearly every chair he vacated, Hargrove's and Ray Brown's among them.
Hutchinson moved to Rome, and his catalog since roughly 2015 reflects it: a long run of Italian, French, Slovak, Czech and German dates on which he is often the billed co-leader rather than the sideman, among them Never Fault Behind the Scenes with Gianluca Lusi and Reuben Rogers (2015), Uneven with pianist Stefania Tallini (2020), Holding On with the French altoist Plume (2022) and two of ACT's Jazz at Berlin Philharmonic volumes, the Theo Croker Sketches of Miles concert of November 2021 and the Mingus centenary night of April 2022. It was also in this period that he made the two records with Yotam Silberstein Resonance (2010), with Christian McBride and Aaron Goldberg and Roy Hargrove guesting on two tracks, and The Village (2016), where the streaming edition bills all four players rather than the leader alone.
Then, at fifty-three and after thirty-three years of other people's records, he made one of his own, and it was not a jazz album. Da Bang (Warner, September 29, 2023) is a fifteen-track hip-hop, funk and neo-soul record produced with Riggins, on which Hutchinson sings, plays bass and keyboards as well as drums, and brings in Vernon Reid, Nicholas Payton, Christian Scott, Keyon Harrold, James Poyser and Kurt Rosenwinkel. "I don't need to do a jazz record because everyone knows that I play jazz," he told an interviewer that year. "I wanted to make a record that makes your grandmother dance." He returned to the tradition on his own terms with Kind of Now: The Pulse of Miles Davis (Warner Music Arts, April 3, 2026), a septet recorded at Sear Sound on July 1 and 2, 2025 with Ambrose Akinmusire, Gerald Clayton, Ron Blake, Jakob Bro, Emmanuel Michael and Joe Sanders, reading Miles Davis material from 1948 through 1970 in the composer's centennial year, with liner notes by Christian McBride.
Hutchinson's signature is a swing feel with hip-hop's sense of pocket underneath it, and he is unusually explicit about where the second half comes from. He names Philly Joe Jones as a primary influence because "he's a streetwise cat who incorporated all the elements of his life into his music," and Charlie Parker as a second, saying he wants "to sing on the drums the way he sings on his horn," a description that fits the way he phrases: melodic, conversational, rarely loud for its own sake. In conversation he moves without a seam from Art Blakey and Elvin Jones to J Dilla and John Bonham, and argues that reggae is the essence of what hip-hop became, which is a genealogy that runs straight back through his father's band. What made him the first-call drummer of his generation, though, is a quality both his teacher Kenny Washington and Betty Carter's bandstand demanded: he plays for the music rather than at it, and his three most durable long-term employers, Carter, Ray Brown and Joshua Redman, were all leaders whose bands lived on dynamics and shape rather than volume. His two leader records are best read as an argument about that reputation. Da Bang deliberately refuses to be a drum showcase, and Kind of Now takes on Miles Davis, the bandleader who most valued a drummer's restraint.
Hutchinson is primarily a sideman. He spent thirty-three years on other people's records before releasing one of his own, and the sideman table below is a representative selection, not an exhaustive list. Identity confirmed via the live Discogs API: Gregory Hutchinson is artist ID 345718, profile text "US jazz drummer (* 16 June 1970 in Brooklyn, New York, USA)," with outbound links to drummerworld.com, an archived gregoryhutchinson.com and the English Wikipedia article, all of which match. Discogs indexes 259 releases under that ID: 11 in a "Main" leader, co-leader or featured-artist role, 224 sideman "Appearance" credits, 2 track-level appearances, 19 unofficial pressings, and 3 production or mixing credits. In a 2023 interview Hutchinson put his own total at "somewhere between 150 to 200 releases since 1990," which is the right order of magnitude once bootlegs, compilations and multi-artist samplers are stripped out of the Discogs count.
Selection criterion for the leader table: every album billed to Hutchinson alone. Only two qualify. A second table below covers dates where he is a named co-leader or a billed featured artist rather than a sideman, which is a real and separate category in his catalog and one that the Discogs "Main" role conflates with true leader dates.
Selection criterion for the sideman table: roughly 226 sideman and track-level credits reduced to 70 entries, weighted toward (1) the Betty Carter and Roy Hargrove groups that made his name between 1990 and 1995, (2) the Ray Brown Trio years from 1995, (3) the Joshua Redman quartets, (4) leaders he recorded with repeatedly, and (5) historically notable or award-context one-offs. Every row's label, catalog number, recording date and personnel was read off a specific Discogs release record rather than off the artist index, and where a source conflicts with that pressing the conflict is named in the Notes column. Where a pressing carries no credit block, that is stated rather than papered over.
Spotify note. Spotify's own catalogue search was unavailable, so no album was looked up through it. Every Spotify link below was found by domain-restricted search of open.spotify.com and then validated one by one against Spotify's unauthenticated oEmbed endpoint, which returned the matching album title in each case. Release dates and track counts were cross-checked against the Apple iTunes Search API, which was working normally. Rows without a Spotify link are ones where no confidently matched album page was found; none is guessed.
The Buy column is — throughout: no affiliate program has been set up for this site yet, and no Amazon links have been invented.
| Album Title | Recording Date(s) | Release Date | Label | Catalog Number | Format(s) | Personnel | Role | Reissue History | Spotify | Buy | Notes |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Da Bang | Not stated on the release. Produced and recorded with Karriem Riggins | September 29, 2023 | Warner Recorded Music (Warner Music Group Germany) | 190296157776 | CD, Album, Stereo (twofold digipak, clear tray, 20-page booklet); digital | Gregory Hutchinson (drums, drum programming, bass, keyboards, vocals, producer), Karriem Riggins (drums, recording, producer), Burniss Earl Travis II and Dario Deidda (bass), Kurt Rosenwinkel, Matthew Stevens and Vernon Reid (guitar), Raymond Angry and Shedrick Mitchell (keyboards), Nicholas Payton, Christian Scott and Keyon Harrold (trumpet), Alex Hamburger (flute), Javier Starks (rap, vocals), Soweto Kinch, Sy Smith, Kameron Corvet, Leona Berlin, Liselotte Östblom, Louis Samora, Paris Jones and Tim Smith (vocals) | Leader | None catalogued | Spotify - Da Bang | — | Date conflict. The Discogs release record is dated 2022 and prints "℗ 2022 Gregory Hutchinson / © 2022 Warner Music Group Germany Holding GmbH." Apple Music dates the album September 29, 2023 with "℗ 2023," AllMusic calls it "2023's Da Bang," and the entire press cycle (V13, The Urban Music Scene, Music Mecca, Cabbages and Hip-Hop) ran in July to October 2023. 2023 is used here. 15 tracks, a hip-hop, funk, R&B and neo-soul record rather than a jazz one, made after a divorce Hutchinson has said drove the writing. James Poyser of The Roots contributes to "When They're Gone" and Vernon Reid to "My Turn Now"; neither is itemized on the Discogs credit block |
| Kind of Now: The Pulse of Miles Davis | July 1-2, 2025, Sear Sound, New York City | April 3, 2026 | Warner Music Arts | 5026854173122 | CD, Album, Stereo; digital | Gregory Hutchinson (drums), Ambrose Akinmusire (trumpet), Ron Blake (tenor saxophone, bass clarinet), Gerald Clayton (piano), Jakob Bro and Emmanuel Michael (guitar), Joe Sanders (double bass); liner notes by Christian McBride | Leader | None catalogued | Spotify - Kind of Now | — | A septet reading of Miles Davis material spanning 1948 to 1970, released into the Davis centennial year. 13 tracks: 10 Davis-associated pieces (including "Ah-Leu-Cha," "Fran-Dance," "Orbits," "Water Babies," "Seven Steps to Heaven," "Bitches Brew" and "Circle in the Round") plus three Hutchinson originals. Wikipedia's personnel list omits Ron Blake, who is a full member of the septet on the pressing |
These are dates where the sleeve bills Hutchinson as a principal rather than as a sideman. Discogs files all of them under the same "Main" role as the two leader albums above, which overstates his leader catalog if read uncritically.
| Album Title | Billed Artist | Recording Date(s) | Release Date | Label | Catalog Number | Format(s) | Personnel | Role | Spotify | Buy | Notes |
|---|---|---|---|---|---|---|---|---|---|---|---|
| It's About Time | Najponk, Ondřej Pivec, Hutchinson | Not stated on the release | 2010 | Animal Music | ANI 024-2 | CD, Album | Najponk (Fender Rhodes), Ondřej Pivec (Hammond B3), Gregory Hutchinson (drums) | Co-leader | — | — | A Czech organ-and-Rhodes trio date, three names on the spine and no horns |
| Sepia | Robert Lakatos Trio featuring Gregory Hutchinson | April 15-16, 2013 | November 4, 2014 | Atelier Sawano | AS 139 | CD | Robert Lakatoš (piano), Christian Lakatos (bass), Gregory Hutchinson (drums), Gábor Bolla (tenor saxophone); produced by Peter Bürli | Featured artist | — | — | A Japanese-label release by a Serbian-Hungarian trio. Recorded 2013, issued late 2014 |
| Never Fault Behind the Scenes | Gianluca Lusi, Andrea Rea, Reuben Rogers, Gregory Hutchinson | February 16-17, 2015 | 2015 | Tosky Records | TSK014 | CD, Album | Gianluca Lusi (saxophone, bass clarinet, compositions), Andrea Rea (piano), Reuben Rogers (double bass), Gregory Hutchinson (drums) | Co-billed | — | — | All four names on the cover. Hutchinson's first Italian co-billed date, five years before he settled in Rome |
| Uneven | Stefania Tallini, Matteo Bortone, Gregory Hutchinson | Not stated on the release | January 24, 2020 | Alfa Music | AFMCD226 | CD, Album | Stefania Tallini (piano), Matteo Bortone (double bass), Gregory Hutchinson (drums) | Co-leader | — | — | An Italian piano trio billed as three equals |
| Holding On | Plume featuring Gregory Hutchinson | October 5-6, 2021, Studio Sextan, Malakoff (France); mixed and mastered in New York | 2022 | Jazz&People | JPCD822003 | CD, Album | Plume (alto saxophone), Leonardo Montana (piano), Géraud Portal (double bass), Gregory Hutchinson (drums) | Featured artist | — | — | Same French label that issued Yotam Silberstein's The Village |
| Born in Millennium | Alan Bartuš featuring Gregory Hutchinson | Not stated on the release | 2023 | Double Moon Records | DMCHR71429 | CD, Album | Alan Bartuš (piano, compositions), Štefan "Pišta" Bartuš (electric upright bass), Gregory Hutchinson and Dávid Hodek (drums) | Featured artist | — | — | Slovak piano trio. Two drummers credited; the split by track is not itemized on the pressing |
Also indexed under "Main" and not treated as a leader date here: Esperanto (Lalo Schifrin with the WDR Big Band Cologne, 2000), a large-ensemble project on which Hutchinson is one of nine billed soloists alongside Trilok Gurtu, James Morrison, Don Byron and Jean-Luc Ponty; Zuversicht (Nils Wülker, Warner Music Central Europe 5021732957177, January 30, 2026), billed to Wülker with Aaron Parks, Linda May Han Oh and Hutchinson; and Ray Brown Trio's Live at Scullers, which is a Ray Brown leader date and appears in the sideman table.
| Year | Project (Leader) | Title | Label | Catalog | Role | Notes |
|---|---|---|---|---|---|---|
| 1990 | Betty Carter | Droppin' Things | Verve | 843 991-2 | Drums | Recorded live at The Bottom Line, New York, May 25-26, 1990, except "Stardust / Memories of You," cut at Mastersound on June 7, 1990. With Freddie Hubbard (trumpet), Craig Handy (tenor), Geri Allen and Marc Cary (piano), Tarus Mateen (bass). Hutchinson's first album credit, at nineteen. Spotify |
| 1991 | Eric Reed | Soldier's Hymn: Dedicated to Art Blakey | Candid | CCD79511 | Drums | Recorded at The Hit Factory, New York, November 7, 1990. Trio with Reed and Dwayne Burno. The first of six Eric Reed albums |
| 1992 | Joe Henderson | Lush Life: The Music of Billy Strayhorn | Verve | 314-511-779-2 | Drums | Recorded September 3, 6 and 8, 1991 at Van Gelder Studios, Englewood Cliffs, New Jersey, engineered by Rudy Van Gelder; a US promo appeared in 1991 and the commercial release on February 18, 1992. With Christian McBride, Stephen Scott and Wynton Marsalis. The album that got Hutchinson noticed; Gary Giddins called his playing on it "elegant and dancing." Spotify |
| 1992 | Roy Hargrove Quintet | The Vibe | Novus / RCA | 01241 63132-2 | Drums | With Antonio Hart, Rodney Whitaker, Marc Cary, Jack McDuff on B3, Branford Marsalis and David "Fathead" Newman. Billed "Roy Hargrove" on the cover and "Roy Hargrove Quintet" on the back |
| 1992 | Antonio Hart | Don't You Know I Care | Novus / RCA | 01241 63142-2 | Drums | With Gary Bartz, Rodney Whitaker, Aaron Graves, Darren Barrett |
| 1993 | Joshua Redman | Joshua Redman | Warner Bros. | 9 45242-2 | Drums | Redman's debut. Hutchinson is one of three drummers, with Clarence Penn and Kenny Washington, his own former teacher. Also Christian McBride, Kevin Hays, Mike LeDonne |
| 1993 | Roy Hargrove Quintet | Of Kindred Souls | Novus / RCA | 01241 63154-2 | Drums, mixing | With Gary Bartz, Ron Blake, Rodney Whitaker, Marc Cary, Andre Hayward. Hutchinson is credited on the sleeve as one of five people who mixed the record, alongside Ed Rak, Hargrove, Larry Clothier and Troy Henderson |
| 1994 | Greg Gisbert Quintet | Harcology | Criss Cross Jazz | Criss 1084 CD | Drums | Recorded December 28, 1992 at RPM Studio, New York. With Chris Potter, Dwayne Burno, John Campbell |
| 1994 | Roy Hargrove Quintet | With the Tenors of Our Time | Verve | 314 523 019-2 | Drums | Recorded January 16-17, 1994 at Clinton Recording Studio, New York; released May 17, 1994. Guest tenors Johnny Griffin, Joe Henderson, Branford Marsalis, Joshua Redman and Stanley Turrentine. With Cyrus Chestnut and Rodney Whitaker. Spotify |
| 1994 | Johnny Griffin | Chicago, New York, Paris | Verve | 314 527 367-2 | Drums | Recorded December 4-5, 1994 at RPM Studios, New York. Hutchinson and Victor Lewis split the drum chair; with Kenny Barron, Christian McBride, Rodney Whitaker and Roy Hargrove |
| 1995 | Roy Hargrove | Family | Verve | 527 630-2 (Europe) | Drums | Recorded live to two-track, January 26-29, 1995. Hutchinson is one of four drummers, with Jimmy Cobb, Lewis Nash and Karriem Riggins; the cast also includes Wynton Marsalis, Christian McBride, John Hicks, Larry Willis and Stephen Scott. Read off the European pressing: the US CD (314 527 630-2), which Discogs uses as the master's main release, has a completely empty credit block |
| 1995 | Ray Brown Trio featuring Ulf Wakenius | Seven Steps to Heaven | Telarc Jazz | CD-83384 | Drums | Recorded May 22-23, 1995, Sony Music Studios Studio B, New York; released November 14, 1995. Hutchinson's first album with Ray Brown, whose drum chair he took over from Jeff Hamilton. With Benny Green. Spotify |
| 1995 | Peter Bernstein Quartet | Signs of Life | Criss Cross Jazz | Criss 1095 CD | Drums | Recorded December 17, 1994 at PRM Studio, New York. With Brad Mehldau and Christian McBride |
| 1995 | Steve Wilson Quintet | Step Lively | Criss Cross Jazz | Criss 1096 CD | Drums | Recorded December 19, 1993. With Cyrus Chestnut, Freddie Bryant, Dennis Irwin |
| 1995 | Eric Reed | The Swing and I | MoJazz | 314530468-2 | Drums | With Ben Wolfe and Rodney Whitaker on bass |
| 1995 | Mark Whitfield | 7th Ave. Stroll | Verve | 314 529 223-2 | Drums | Released October 10, 1995. Hutchinson and Al Foster split the drums; with Tommy Flanagan, Stephen Scott, Christian McBride and Dave Holland |
| 1996 | Jimmy Smith | Angel Eyes (Ballads & Slow Jams) | Verve | 314 527 632-2 | Drums | Recorded January 25-26, 1995 at Power Station, New York. With Roy Hargrove, Nicholas Payton, Mark Whitfield and Christian McBride |
| 1996 | Rodney Whitaker | Children of the Light | DIW | DIW-907 | Drums | Recorded September 13-14, 1995 at Power Station, New York. Hutchinson and Karriem Riggins on drums; with Geri Allen, Cyrus Chestnut, Nicholas Payton, Wallace Roney and James Carter |
| 1996 | Eric Reed | Musicale | Impulse! | IMPD-196 | Drums | Recorded March 10 and April 19, 1996 at Power Station. With Ron Carter, Ben Wolfe, Wycliffe Gordon, Nicholas Payton, Wessell Anderson |
| 1996 | Teodross Avery | My Generation | Impulse! | IMPD-181 | Drums | Recorded October 10-12, 1995 at Power Station Studio A. Three guitarists: John Scofield, Peter Bernstein and Mark Whitfield. With Rodney Whitaker |
| 1996 | Arturo Sandoval | Swingin' | GRP | GRP 98462 | Drums | Recorded January 6-9, 1996. This one session accounts for four separate names in Wikipedia's collaborator list: John Patitucci (bass), Michael Brecker (tenor), Joey Calderazzo (piano) and Sandoval himself. Also Clark Terry and Mike Stern |
| 1996 | Ray Brown Trio | Some of My Best Friends Are... The Sax Players | Telarc Jazz | CD-83388 | Drums | Recorded at Power Station Studio A, New York, November 20-22, 1995, and Conway Studios Studio A, Los Angeles, February 13, 1996. Guests Benny Carter, Joe Lovano, Joshua Redman, Ralph Moore, Jesse Davis and Stanley Turrentine |
| 1996 | Kristin Korb with the Ray Brown Trio | Introducing Kristin Korb | Telarc Jazz | CD-83386 | Drums | Recorded July 31 and August 1-2, 1995 at O'Henry Studios, Los Angeles; mixed April 1996 in Cleveland. With Benny Green, Plas Johnson, Conte Candoli, Oscar Castro-Neves |
| 1996 | Betty Carter | I'm Yours, You're Mine | Verve | 314 533 182-2 | Drums | Recorded January 24-25, 1996. Carter's penultimate studio album. With Xavier Davis, Curtis Lundy, Mark Shim, Andre Hayward |
| 1996 | Concord Jazz Festival All-Stars / Karrin Allyson / Scott Hamilton Quintet | Fujitsu-Concord 27th Jazz Festival | Concord | CCD-7004 | Performer (drums) | Hutchinson is listed among the All-Stars alongside Ray Brown, Benny Green, Louis Bellson, Howard Alden, Chris Potter and Rickey Woodard |
| 1997 | Ray Brown Trio | Live at Scullers | Telarc Jazz | CD-83405 | Drums | Recorded live at Scullers Jazz Club, Boston, October 17-18, 1996. Trio with Ray Brown and Benny Green, seven tracks, 56:09 |
| 1997 | Ray Brown with John Clayton and Christian McBride | SuperBass | Telarc Jazz | CD-83393 | Drums | Same Scullers nights, October 17-18, 1996. Three basses: Ray Brown, John Clayton and Christian McBride, with Benny Green |
| 1997 | Claire Martin | Make This City Ours | Linn Records | AKD 066 | Drums | Recorded October 7-8, 1996. With Peter Washington, Gareth Williams, Gerard Presencer, Antonio Hart |
| 1998 | Ben Wolfe | Bagdad Theater | Mons Records | MR874-827 | Drums | Recorded at Sony Music Studios, New York, December 23, 1997. With Benny Green, Joe Magnarelli, Ned Goold, Dave Schumacher and Israeli trombonist Avi Lebovich |
| 1998 | Oscar Peterson and Benny Green | Oscar & Benny | Telarc | CD-83406 | Drums | Two pianos, Ray Brown on bass, Hutchinson on drums, eleven tracks |
| 1998 | Christian McBride | A Family Affair | Verve | 314 557 554-2 | Drums | Recorded January 27-31, 1998 at O'Henry Studios, Los Angeles; produced by George Duke. With Russell Malone, Tim Warfield, Charles Craig |
| 1998 | Ray Brown Trio with Ulf Wakenius | Summertime | Telarc Jazz | CD-83430 | Drums | Recorded at Sony Music Studios, New York, August 26-28, 1997. With Geoff Keezer |
| 1998 | Eric Reed | Pure Imagination | Impulse! | IMP 12592 | Drums | Released March 3, 1998. Trio with Reed and Reginald Veal |
| 1999 | Ray Brown Trio | Christmas Songs with the Ray Brown Trio | Telarc | CD-83437 | Drums | Recorded at O'Henry Studios, Burbank, December 15-17, 1997 and Sony Music Studios, New York, April 27-29, 1998. Eight guest singers: Dee Dee Bridgewater, Etta Jones, Nancy King, Diana Krall, Kevin Mahogany, Vanessa Rubin and Marlena Shaw |
| 2000 | Joshua Redman | Beyond | Warner Bros. | 9362-47465-2 | Drums | Recorded at Avatar Studios, New York, May 1999; released April 4, 2000. The quartet with Aaron Goldberg and Reuben Rogers, guest Mark Turner. Spotify |
| 2001 | Dianne Reeves | The Calling (Celebrating Sarah Vaughan) | Blue Note | 7243 5 27694 2 1 | Drums | Recorded September 9-11, 2000 at O'Henry Studio, Burbank. Arranged and conducted by Billy Childs, with Russell Malone, Romero Lubambo, Reginald Veal, Steve Wilson and strings. Won the Grammy for Best Jazz Vocal Album at the 2002 ceremony |
| 2001 | Joshua Redman Quartet | Passage of Time | Warner Bros. | 9 47997-2 | Drums | The same quartet as Beyond, a single continuous suite |
| 2002 | Ray Brown, Monty Alexander, Russell Malone | Ray Brown / Monty Alexander / Russell Malone | Telarc Jazz | CD-83562 | Drums | Direct Stream Digital recording. Hutchinson is one of four drummers across the set, with Jeff Hamilton, Lewis Nash and Karriem Riggins; pianists Monty Alexander, Ahmad Jamal, Benny Green and Geoff Keezer |
| 2003 | Ray Brown | Walk On: The Final Ray Brown Trio Recording | Telarc Jazz | 2CD-83515 | Drums | Released July 22, 2003, a year after Brown's death. Disc one recorded at Avatar Studios Studio A, New York, January 10-14, 2000; disc two drawn from the Scullers nights of October 17-18, 1996 and from Clinton Studios |
| 2003 | Ron Blake | Lest We Forget | Mack Avenue | 1012 | Drums | With Christian McBride, Joey DeFrancesco, David Gilmore, Rashawn Ross |
| 2004 | Ryan Kisor | Donna Lee | Videoarts Music | VACM-1239 | Drums | Recorded at Chung King Studio, New York, November 25, 2003; released February 25, 2004. Organ quartet with Sam Yahel and Peter Bernstein |
| 2006 | Reuben Rogers | The Things I Am | Renwick Entertainment | RE-01 | Drums | Released October 22, 2006. With Joshua Redman, Nicholas Payton, Ron Blake, Aaron Goldberg, Mark Whitfield, David Gilmore, Adam Cruz |
| 2006 | Javon Jackson | Now | Palmetto | PM2121 | Drums | With Dr. Lonnie Smith on organ, David Gilmore, Kenny Davis, Lisa Fischer |
| 2008 | Ben Wolfe | No Strangers Here | MAXJAZZ | MXJ 605 | Drums | Hutchinson and Jeff "Tain" Watts on drums; with Branford Marsalis, Marcus Strickland, Terell Stafford, Victor Goines, Luis Perdomo |
| 2009 | Joshua Redman | Compass | Nonesuch | 7559-79923-0 | Drums | A double-trio record: Hutchinson and Brian Blade on drums, Reuben Rogers and Larry Grenadier on bass |
| 2010 | Jimmy Greene Quartet | Live at Smalls | SmallsLIVE | SL-0012 | Drums | Recorded live February 19-20, 2010 at Smalls Jazz Club, Greenwich Village. With Xavier Davis and Ugonna Okegwo |
| 2010 | Ben Wolfe Quintet | Live at Smalls | SmallsLIVE | SL-0015 | Drums | Recorded live May 25-26, 2010 at Smalls. With Ryan Kisor, Marcus Strickland, Luis Perdomo |
| 2010 | Yotam Silberstein | Resonance | Jazz Legacy Productions | 1001008 | Drums | With Silberstein (guitar, voice, oud), Aaron Goldberg, Christian McBride and Roy Hargrove on trumpet on tracks 4 and 10. The Discogs pressing carries no musician credits at all; personnel confirmed off Silberstein's official site, yotammusic.com. Spotify |
| 2010 | Dida Pelled | Plays and Sings | Red Record | 319 | Drums | The Israeli guitarist's debut, with Tal Ronen, Roy Hargrove and Fabio Morgera |
| 2011 | 3 Cohens | Family | Anzic Records | ANZ7002 | Drums | With Anat Cohen (tenor, clarinet), Avishai Cohen (trumpet), Yuval Cohen (soprano), Aaron Goldberg, Matt Penman and Jon Hendricks |
| 2011 | Warren Wolf | Warren Wolf | Mack Avenue | MAC 1059 | Drums | With Christian McBride, Peter Martin, Jeremy Pelt, Tim Green |
| 2013 | Kathy Kosins | The Space Between | Self-released | MJ12227 | Drums | Hutchinson and Eric Harland split the drum chair; with Reuben Rogers, Aaron Goldberg, Tamir Hendelman, Robert Hurst |
| 2014 | Eric Reed | Groovewise | Smoke Sessions | SSR 1410 | Drums | Quartet with Seamus Blake and Ben Williams |
| 2015 | Ameen Saleem | The Groove Lab | Jando Music | VVJ 103 | Drums | With Roy Hargrove, Cyrus Chestnut, Stacy Dillard, Craig Magnano |
| 2016 | Yotam Silberstein | The Village | Jazz&People | JPCD816007 | Drums | Released December 2, 2016. Quartet with Silberstein, Aaron Goldberg and Reuben Rogers, eleven tracks. The streaming edition is billed to all four players, not to Silberstein alone. Spotify |
| 2016 | Dan Pratt | Hymn for the Happy Man | Same Island Music | SIM1601 | Drums | With Christian McBride and Mike Eckroth |
| 2017 | Sarah McKenzie | Paris in the Rain | Impulse! | 0602557282436 | Drums | Released January 13, 2017. With Reuben Rogers, Mark Whitfield, Romero Lubambo, Warren Wolf, Ralph Moore, Scott Robinson |
| 2018 | Emanuele Cisi | No Eyes: Looking at Lester Young | Warner Music Italy | 5054197008115 | Drums | With Rosario Bonaccorso, Dino Rubino and Roberta Gambarini |
| 2019 | Joshua Redman Quartet | Come What May | Nonesuch | 585291-2 | Drums | Released March 29, 2019. The Beyond / Passage of Time quartet reconvened after eighteen years, all compositions by Redman |
| 2019 | Jacky Terrasson | 53 | Blue Note | 0808196 | Drums | Hutchinson is one of three drummers, with Ali Jackson and Lukmil Pérez |
| 2019 | Soweto Kinch | The Black Peril | Soweto Kinch Recordings | (none) | Drums | A large-ensemble suite on the 1919 race riots |
| 2020 | Kurt Rosenwinkel Trio | Angels Around | Heartcore Records | HCR08 | Drums | Released May 8, 2020. Trio with Rosenwinkel and Dario Deidda. Spotify |
| 2020 | Aaron Diehl | The Vagabond | Mack Avenue | MAC 1153 | Drums | Recorded February 4-6, 2019; released February 14, 2020. Trio with Diehl and Paul Sikivie |
| 2020 | Dayna Stephens Quartet | Right Now! Live at the Village Vanguard | Contagious Music | CGM005 | Drums | With Aaron Parks and Ben Street |
| 2022 | Theo Croker Quartet | Jazz at Berlin Philharmonic XII: Sketches of Miles | ACT | ACT 9948-2 | Drums | Live at the Philharmonie Berlin, November 27, 2021; released August 26, 2022. Quartet plus Berlin Philharmonic wind players |
| 2022 | Magnus Lindgren and Georg Breinschmid | Jazz at Berlin Philharmonic XIII: Celebrating Mingus 100 | ACT | ACT 9955-2 | Drums | Live at the Kammermusiksaal, Philharmonie Berlin, April 13, 2022; released June 24, 2022 |
| 2023 | Roy Hargrove | The Love Suite: In Mahogany | Blue Engine Records | (none) | Drums | Released October 13, 2023, recorded in 1993 at Alice Tully Hall as part of the Jazz at Lincoln Center season. Hargrove's commissioned suite, unissued for thirty years. With Rodney Whitaker, Marc Cary, Ron Blake, Jesse Davis, Andre Hayward |
| 2024 | Joe Sanders | Parallels | Whirlwind Recordings | WR4827 | Drums | With Taylor Eigsti, Logan Richardson, Jure Pukl, Seamus Blake. Sanders is the bassist on Hutchinson's own Kind of Now |
| 2025 | Dayna Stephens | Hopium | Contagious Music | (none) | Drums | Recorded February 26, 2022, mixed and mastered October 14, 2024, released February 7, 2025. Quartet with Aaron Parks and Ben Street |
| 2026 | Nils Wülker | Zuversicht | Warner Music Central Europe | 5021732957177 | Drums | Released January 30, 2026. Quartet with Wülker (trumpet, flugelhorn), Aaron Parks and Linda May Han Oh |
The English Wikipedia article on Hutchinson is a stub, and its problems are mostly omissions. Recorded here so the profile does not repeat them.