Last updated October 21, 2026
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Satoshi Takeishi at the drums, 1 April 2011 (cropped from the original frame). CC BY 2.0 — https://www.flickr.com/photos/11316976@N00/5736890553
Satoshi Takeishi (武石聡, Takeishi Satoshi in Japanese order) was born on 6 February 1962 in Mito, Japan. He is a drummer and percussionist who has spent most of his working life outside Japan: at Berklee College of Music in Boston, then in Colombia, then in Miami, and since 1991 in New York, where he has played with some of the city's most adventurous improvisers. His brother, the electric bassist Stomu Takeishi, was also born in Mito, and the two have shared bandstands and recording sessions.
At Berklee his interest in South American music took hold, and after leaving Boston he went to Colombia at a friend's invitation and stayed about four years. There he worked with the composer and arranger Francisco Zumaque on a project called Macumbia, which mixed traditional music, jazz and classical writing and was performed with the Bogota symphony orchestra in concerts honouring the Colombian composer Lucho Bermudez. Zumaque's records Macumbia (Discos Fonosema, 1984) and Colombia Caribe (Discos Fonosema, 1985) list him on drums and as a credited appearance respectively. He returned to the United States in 1986 and settled in Miami, where he began working as an arranger and is credited as a producer on the flutist Nestor Torres's album Morning Ride. He also studied Middle Eastern music with the Armenian-American oud player Joe Zeytoonian.
In 1991 he moved to New York. His first major association there was with the conga player and bandleader Ray Barretto, whose New World Spirit band he joined for Ancestral Messages (1993) and Taboo (1994). Over the next decade he became a regular in the city's improvised-music and new-jazz circles. In 1997 he is on the Patrick Zimmerli Ensemble's Explosion (Songlines) and the pianist Eliane Elias's The Three Americas. In 1997 the cellist Erik Friedlander formed the quartet Topaz with the saxophonist Andy Laster, Takeishi on percussion and his brother Stomu on electric bass; the group made four albums, Topaz (1998), Skin (2000), Quake (2003) and Prowl (2006). In 1998 he also appears on percussion and taiko on guitarist Kenny Wessel's leader debut Daybreak (Igmod), a jazz and Hindustani trio date with the tabla player Badal Roy and Stomu Takeishi.
The 2000s widened the field. Aguacero (2001) and Aguacero Two (2007), for the pianist Tino Derado, put him in a quintet with the saxophonist Billy Drewes, the bassist Ben Street and the percussionist Jamey Haddad. In 2003 the ECM label released Vindonissa, a three-way billing with the violinist Paul Giger and the flutist Robert Dick. He made Sounds (2007) and Live at Firehouse 12 (2009) with the Rob Brown Trio, played in Michaël Attias's quartet Renku, played on the singer Theo Bleckmann and guitarist Ben Monder's At Night (Songlines, 2007) on drums, percussion and laptop, and is credited on Hans Tammen's Third Eye Orchestra (Innova, 2008). He is credited on Anthony Braxton's Quintet (London) 2004 (Leo Records, 2005), recorded at the Royal Festival Hall. His biographies also list work with the Toshiko Akiyoshi Big Band and with Paul Winter's Consort; the Paul Winter Consort albums Silver Solstice (2005) and Everybody Under the Sun (2019) carry his name.
A second thread has run alongside the drumming in recent years: composed and processed electronic music. He released a solo electronics triptych on the Danish label clang: Dew Drops (2016, clang040), Premonition (2017, clang050) and Fragments (2018), the last built from improvisations on cheap instruments and gadgets and shaped by the memory of old cassette recordings he had kept. In the same years he recorded with his wife, the pianist and accordionist Shoko Nagai (永井晶子), in the duo Vortex, which marked its twentieth anniversary in 2022, and with her, the singer Maryanne de Prophetis and the trumpeter Ron Horton in FIDOqrtet. A 2025 release, Forbidden Flowers, by Shoko Nagai's group of that name credits him as producer.
His recent credits include the saxophonist Joshua Redman's Sun on Sand (Nonesuch, 2019), made with the string quartet Brooklyn Rider and the composer Patrick Zimmerli, on which he plays drums beside Joshua Redman and the bassist Scott Colley; Zimmerli's Book of Dreams (Newvelle, 2020); Ben Monder's Planetarium (Sunnyside, 2024); and Marty Ehrlich's Cartographies of Flight (2026). He also returns to Japan: a listing of live dates shows him in October 2018 and again in October 2019 playing duo concerts called The Gate with the pianist Eishin Nose (野瀬栄進), whose album Inside Out Dream (AC Music, 2009) he plays on. He lives in New York and is, at 64, still working.
Takeishi plays drum kit and a wide percussion setup, and the records show how far he moves between roles. On Friedlander's Topaz albums and the Rob Brown Trio's Sounds he is a percussionist in small, open groups. On Wessel's Daybreak he plays taiko and hand percussion in a jazz and Hindustani setting. His Colombian years and his Barretto period give him a Latin and Caribbean grounding, and his study with Joe Zeytoonian adds Middle Eastern rhythm to the mix. The credit trail also runs through contemporary classical writing: Vindonissa on ECM, the cellist Kristina Reiko Cooper's Stone and Steel (2008), on which he is also credited as an arranger, and her Around the World with Love (2017).
His solo work shows an interest in real-time electronic processing of acoustic sounds. In his own notes for Dew Drops he describes starting from live percussion and electronics, using only one or two acoustic instruments per section; the later Fragments uses low-bit sampling and toy keyboards to evoke the memory of old tapes. Those records sit at the edge of jazz, in electronic and experimental music. Almost everything else he has recorded is jazz or improvised music, from Braxton and Friedlander to Redman, and he is best understood as a jazz and improvised-music drummer who also makes electronic music.
Japanese drummer, percussionist and arranger. Born 6 February 1962, Mito. Discogs artist 442664.
Name variations on record: Satoshi Takeishi, Santoshi Takeishi, Satoshi, Takeishi, Takeisi Satoshi, 武石聡, 武石さとし.
Group affiliations: Rob Brown Trio, Topaz, The Winter Consort, Ray Barretto and New World Spirit, Hans Tammen's Third Eye Orchestra, FIDOqrtet, Vortex (duo with Shoko Nagai), The Gate (duo with Eishin Nose), Black Phebe, Anthony Coleman Quartet, Rez Abbasi Trio, Gordon Grdina Quartet, Patrick Zimmerli Ensemble, Michael Musillami Octet, Renku.
Buy links are plain Amazon search links.
| Album | Year | Label | Personnel | Notes | Listen | Buy |
|---|---|---|---|---|---|---|
| Dew Drops | 2016 | clang, clang040 | Satoshi Takeishi (percussion, electronics) | Four tracks: "Primus", "Secundo Motum", "Tertius Motus", "Quattour Elementa". Developed as a live percussion and electronics piece in November 2015. Digital release, 27 May 2016; mastered by Lars Graugaard. | Spotify · Bandcamp | Amazon |
| Premonition | 2017 | clang, clang050 | Satoshi Takeishi | Eight tracks, from "Prologue" to "Epilogue". Digital release, 31 March 2017. Second of the electronics triptych. | Bandcamp | not found |
| Fragments | 2018 | clang, clang063 | Satoshi Takeishi (composer, performer, recording, artwork) | Ten tracks, from "Corrugated Realm" to "Fragment II". Digital release, 26 October 2018. Conclusion of the triptych. | Spotify · Bandcamp | Amazon |
| Album | Year | Label | Co-billed with | Notes | Listen | Buy |
|---|---|---|---|---|---|---|
| Aguacero | 2001 | PERUNRecords | Tino Derado (piano), Billy Drewes (saxophone, flute), Ben Street (bass), Jamey Haddad (percussion); Takeishi on drums | Nine tracks, from "Aguacero" to "Symbiosis". | not found | Amazon |
| So Glad To Be Here | 2003 | Ambient Records, CD-003 | Leslie Pintchik (piano), Scott Hardy (bass); Takeishi on percussion | Eleven tracks, SACD, including "All The Things You Are". Billed as Leslie Pintchik featuring Scott Hardy and Satoshi Takeishi. | not found | Amazon |
| Vindonissa | 2003 | ECM, ECM 1836 | Paul Giger, Robert Dick | Eleven tracks. Credited music by all three players. Recorded 1995 to 2000, edited at Big Ear Studio, Dubendorf; released 14 April 2003. | Spotify | Amazon |
| Aguacero Two | 2007 | PERUNRecords | Tino Derado, Billy Drewes, Ben Street, Jamey Haddad; Takeishi on drums | Nine tracks, from "Papillon" to "Tino Tinto". | not found | Amazon |
| Stone And Steel | 2008 | Linus Entertainment, 2 70103 | Kristina Reiko Cooper (cello), John Novacek (piano) | Ten tracks. Takeishi on percussion and credited as arranger of "Dido's Lament Electronic". | Spotify | Amazon |
| Say Hello To Anyone I Know | 2014 | Fast Speaking Music | Daniel Carter (reeds, trumpet), Daniel Levin (cello), Devin Brahja Waldman (alto saxophone); Takeishi on drums and percussion | Five tracks: "Anselm Hollo", "Mr. Byrd", "The Mayor", "Jayne Cortez", "Butch". | not found | Amazon |
| Rarefactions | 2015 | Neuma Records, 450-113 | Jane Rigler (flute, electronics), Janet Feder (guitar, banjo), Shoko Nagai (piano, accordion, keyboards) | Ten tracks. Takeishi on percussion and electronics. | not found | Amazon |
| Tell A Star | 2016 | ENNA Records, ENNA 0010 | Maryanne de Prophetis (voice), Ron Horton (trumpet), Frank Kimbrough (piano); Takeishi on drums and percussion | Nine tracks. Recorded 28 August 2015 at Samurai Hotel, New York. | Spotify | Amazon |
| Around The World With Love | 2017 | Roven Records, RR 10115 | Kristina Reiko Cooper (cello), Or Matias (piano); Takeishi on percussion | Fourteen tracks of songs from around the world, including "Yoimachigusa (Evening Primrose)" from Japan. | not found | Amazon |
| FIDOqrtet | 2020 | ENNA Records | Shoko Nagai, Maryanne De Prophetis, Ron Horton | Eleven tracks, recorded 2015 to 2016 at IBeam, Brooklyn. Takeishi performer, engineer and mixer. | not found | not found |
| Album | Year | Leader | Label | Takeishi's credit | Listen | Buy |
|---|---|---|---|---|---|---|
| Ancestral Messages | 1993 | Ray Barretto and New World Spirit | not listed | credited appearance | not found | Amazon |
| Taboo | 1994 | Ray Barretto and New World Spirit | not listed | credited appearance | not found | Amazon |
| Topaz | 1998 | Erik Friedlander | Siam Records | percussion | Spotify | Amazon |
| Daybreak | 1998 | Badal Roy, Kenny Wessel, Stomu Takeishi | Igmod | percussion, taiko (tracks 1, 3 to 7) | not found | Amazon |
| Quake | 2003 | Erik Friedlander | Cryptogramophone | percussion | Spotify | Amazon |
| Hot Hands | 2003 | Ray Barretto and New World Spirit | not listed | credited appearance | not found | Amazon |
| Quintet (London) 2004 (Live At The Royal Festival Hall) | 2005 | Anthony Braxton | Leo Records | percussion | not found | Amazon |
| Sounds | 2007 | Rob Brown Trio | Clean Feed | percussion | Spotify | Amazon |
| At Night | 2007 | Theo Bleckmann, Ben Monder | Songlines Recordings | drums, percussion, laptop (tracks 2, 3, 6, 9, 10) | not found | Amazon |
| Third Eye Orchestra | 2008 | Hans Tammen | Innova Recordings | percussion | not found | Amazon |
| Renku In Coimbra | 2009 | Michaël Attias | Clean Feed | drums, percussion | not found | Amazon |
| Live At Firehouse 12 | 2009 | The Rob Brown Trio | Not Two Records | percussion | not found | Amazon |
| Inside Out Dream | 2009 | Eishin Nose | AC Music | drums, percussion (tracks 1, 3 to 5, 8 to 10) | not found | not found |
| Sun On Sand | 2019 | Joshua Redman, Brooklyn Rider, Patrick Zimmerli | Nonesuch | drums | Spotify | Amazon |
| Book Of Dreams | 2020 | Patrick Zimmerli | Newvelle Records | drums | not found | not found |
| Cartographies of Flight "Lines Set Afloat Towards Hope" | 2026 | Marty Ehrlich | Corbett vs. Dempsey | percussion, drums | not found | not found |
Chronological list of the remaining credited appearances, compilations and production credits.