Last updated September 13, 2026
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Gregory Rivkin is an Israeli jazz trumpeter, flugelhorn player, composer, and educator based in Jerusalem. In his teens he won first prize in several national instrumental competitions in Israel and, six years in a row, a scholarship from the America-Israel Cultural Foundation, recognition that led to an invitation to appear as a soloist with the Israel Philharmonic Orchestra in 1997. He went on to further his training in Paris, then in New York, where he built a reputation within the city's jazz scene playing alongside two of jazz's most storied big-band lineages: the Elvin Jones Jazz Machine, led by the drummer who anchored John Coltrane's classic quartet, and the Mingus Big Band, the repertory ensemble that carries on Charles Mingus's compositions. He made his Carnegie Hall debut in 2006, holds diplomas with excellence in classical trumpet, and earned a Master of Musical Arts and Musicology from Rutgers University.
During his New York years, Rivkin recorded as a sideman on bassist Harvie S's 2004 ZOHO Records album Texas Rumba, playing trumpet alongside saxophonist Scott Robert Avidon, pianist Daniel Kelly, drummer Adam Weber, and percussionist Renato Thoms.
Back in Israel, Rivkin teaches trumpet and jazz improvisation at the Jerusalem Academy of Music and Dance and serves as a core trumpeter with the Jerusalem Baroque Orchestra, maintaining a parallel classical practice alongside his jazz career. He performs as a leader and featured soloist with both the Tel-Aviv Big Band and the Eli Degibri Big Band; he and Degibri are colleagues on the Jerusalem Academy's jazz faculty, alongside bassist Arnon Palty, who chairs the school's Cross-Disciplinary Music Faculty.
Since 2011, Rivkin has co-led the Sendersky-Rivkin Quintet with saxophonist and composer Lenny Sendersky. The group's repertoire draws on Jewish folklore, odd-metered structures, and Latin, African, and Cuban rhythms alongside traditional and modern jazz, blending Sendersky's European sensibility with Rivkin's hard-swinging, New York-rooted hard-bop attack; the project performs, depending on the booking, as a sextet, quintet, or quartet, and appears regularly at Israel's major jazz festivals and clubs.
Rivkin also leads his own working quartet, a regular presence at Tel Aviv's Shablul Jazz club, and keeps an active international gig calendar: recent bookings include the Jaffa Jazz Festival (October 2024), a "Dance 2 Jazz" performance in Haifa (September 2024), and European dates with a "Barth&Rivkin Quintet," including a November 2025 concert in Fürth, Germany.
His debut as a leader, A Certain Attitude, appeared in 2018: an independently released quartet session, credited to acertainattitude@gmail.com as the project's own point of contact, pairing Rivkin's trumpet and flugelhorn with pianist Tony Pancella, drummer Matthias Gmelin, and bassist Henning Sieverts across eleven original compositions in a post-bop and hard-bop vein, including "Portrait of Elvin," a tribute to Elvin Jones.
Rivkin names Woody Shaw, Freddie Hubbard, and Lee Morgan as his touchstones on trumpet, a hard-bop lineage he draws on for what he describes as a balance between structure and fire, prioritizing ensemble communication and phrasing over pure technical display. That straight-ahead vocabulary widens considerably in the Sendersky-Rivkin Quintet, where Jewish folklore and Latin, African, and Cuban rhythms are folded into the hard-bop core. Rivkin also maintains a genuinely separate classical-trumpet practice, as a core player with the Jerusalem Baroque Orchestra and through a musicology degree from Rutgers, but his teaching post, working bands, and performing career are squarely built around jazz.
Compiled from the Discogs API (artist id 5142903, profile field: "Israel-based trumpeter") plus independent verification. See gregory-rivkin_notes.md for the full identity-resolution writeup: Discogs' artist 5142903 folds together credits that plausibly belong to this Gregory Rivkin (jazz genre, trumpet/flugelhorn role, consistent with his confirmed New York and European activity) and credits that almost certainly belong to a different, unrelated same-named musician (classical/choral, blues-rock, funk/soul, and electronic/jungle genres, with no jazz, Israel, or New York connection). Only the plausible-match releases are tabled below as his; the ruled-out entries are listed separately with the reasoning, not silently dropped.
As of 2026-09-13, no Amazon Associates tag has been set up for this project yet (per the standing note on discography-full.md files elsewhere in this vault) - Buy links below are plain, non-affiliate Amazon links or search links, to be updated with ?tag=<ASSOCIATES_TAG> once Erik provides one. Listen links were verified via a real search; entries marked "not found" had no confirmable Spotify or YouTube link for that specific release after a genuine search.
| Album | Year | Label | Personnel | Notes | Listen | Buy |
|---|---|---|---|---|---|---|
| A Certain Attitude | 2018 | Independently released | Gregory Rivkin (trumpet, flugelhorn), Tony Pancella (piano), Henning Sieverts (bass), Matthias Gmelin (drums) | Eleven original tracks, tagged Jazz / Post Bop / Contemporary Jazz on Discogs; includes "Portrait Of Elvin," a tribute to Elvin Jones. Confirmed via Discogs release 13878457, matching the artist's own site (trumpet-greg.com/a-certain-attitude-epk). | Spotify | Amazon |
| Artist | Release | Year | Label | Rivkin's Credit | Notes | Listen | Buy |
|---|---|---|---|---|---|---|---|
| Harvie Swartz (Harvie S) | Texas Rumba | 2004 | ZOHO (ZM 200401) | Trumpet | Recorded during Rivkin's confirmed New York period; full personnel Harvie Swartz (bass), Daniel Kelly (piano), Scott Robert Avidon (saxophones), Gregory Rivkin (trumpet), Adam Weber (drums), Renato Thoms (percussion). Independently corroborated by this same site's own Harvie S discography-full.md (JazzProfiles vault), which already lists this credit with no Listen link found. | not found | Amazon search |
| Bossa Brazil and Maurício de Souza Group | Here. There... | 2010 | Pulsa Music | Trumpet, Flugelhorn | Genre (Jazz) and instrument fit Rivkin's profile, and the Latin/bossa idiom matches the Sendersky-Rivkin Quintet's own stated stylistic range, but no source outside Discogs' artist-5142903 release list was found confirming this is the same Gregory Rivkin. Treat as a plausible, not fully confirmed, credit (see notes.md). | not found | Amazon search |
Discogs artist 5142903 lists nine total releases. The two above are the only ones judged a plausible match. The remaining five are almost certainly a different person who happens to share the name, based on a genre/context mismatch with no jazz, Israel, New York, or Rivkin's own site anywhere in the picture. Full reasoning in gregory-rivkin_notes.md.
| Artist | Release | Year | Genre (per Discogs) | Why excluded |
|---|---|---|---|---|
| Alice Parker, The Musicians of Melodious Accord | Listen, Lord | 2004 | Classical, Folk/World | American choral/early-music ensemble; a "Gregory Rivkin - Trumpet" credit exists on the release, but nothing connects it to an Israeli jazz trumpeter. |
| Andy Watts | Blues on Fire | 2018 | Rock, Blues | No Gregory Rivkin credit found in the release's own credit data at all; appears on Rivkin's Discogs artist page only via the label/community aggregation, not a verifiable personal credit. |
| Andy Watts | Supergroove | 2020 | Rock, Blues | Same as above. |
| Joe | Signature | 2009 | Funk/Soul, R&B | No Gregory Rivkin credit found in the release's own credit data. |
| Amor Entrave | Wonderland | 2021 | Electronic, Pop (Downtempo/Future Jazz/IDM/Indie Pop) | A "Gregory Rivkin - Trumpet" credit does exist on this release, but the electronic/downtempo genre and production context have no connection to this Rivkin's documented jazz/classical career. |
| 50Dix | Time Traveller's Tale (Chapter One & Chapter Two) | 2024 | Electronic, Jungle | No Gregory Rivkin credit found in the release's own credit data. |