Last updated November 7, 2026
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Chief Xian aTunde Adjuah, then performing as Christian Scott, playing his tilted-bell trumpet at the Leverkusener Jazztage, Leverkusen, Germany, November 9, 2016, photographed by Andreas Lawen CC BY-SA 4.0 — Wikimedia Commons — https://commons.wikimedia.org/wiki/File:Christian_Scott_-_Leverkusener_Jazztage_2016-AL2365.jpg
Chief Xian aTunde Adjuah, known until 2012 as Christian Scott and for years afterward as Christian Scott aTunde Adjuah, was born Christian Andre Scott on March 31, 1983, in New Orleans, to Cara Harrison and Clinton Scott III. He has an identical twin brother, the writer-director Kiel Adrian Scott. His mother's family belongs to the Afro-New Orleanian Black Indian tradition: his grandfather Big Chief Donald Harrison Sr. founded the Guardians of the Flame in 1988, and his uncle is the saxophonist and Big Chief Donald Harrison. He began jazz lessons with his uncle at twelve, attended the New Orleans Center for Creative Arts, where Clyde Kerr Jr. and Kent Jordan directed the jazz program, and joined his uncle's quintet at sixteen. He graduated in 2001 and appears on Harrison's albums Real Life Stories (recorded in November 2001), Kind of New (2002) and Paradise Found (recorded in 2000 and released in 2003 under the billing "Donald Harrison Introducing Christian Scott").
On a scholarship to Berklee College of Music in Boston he majored in professional music with a film-scoring concentration and graduated in 2004. There he founded Impromp2 Records and released his first album, Christian Scott (recorded in 2002, issued in 2003), played in the Berklee Monterey Quartet, took part in a student quintet recording led by Pat Metheny and Gary Burton, and studied with Burton among others. Concord Music signed him in 2005. That year he played trumpet on Nnenna Freelon's Billie Holiday project Blueprint of a Lady, and in February 2005 he recorded his Concord debut, Rewind That (released March 28, 2006), which earned a Grammy nomination for Best Contemporary Jazz Album. Anthem (2007) was written in the aftermath of Hurricane Katrina, and the concert recording Live at Newport, taped at the JVC Jazz Festival on August 9, 2008, came out that November. Yesterday You Said Tomorrow (recorded at Van Gelder Studio in April 2009, released in 2010) won an Edison Award and introduced the idea he calls stretch music, his term for pushing jazz past its prescribed boundaries. In 2010 he also joined David Sánchez and Stefon Harris for the Ninety Miles project, a week of recording in Havana with the Cuban musicians Rember Duharte and Harold López-Nussa that produced a studio album (2011), a documentary and a live album from that year's Cubadisco festival (2012).
In 2012 he began performing as Christian Scott aTunde Adjuah, taking the names of two ancient towns in present-day Ghana to reflect his West African and Indigenous ancestry. The double album Christian aTunde Adjuah (July 31, 2012) won him a second Edison Award, for Best International Jazz Artist. In 2014 he started his own label, Stretch Music, and partnered with Ropeadope Records, which issued Stretch Music on September 18, 2015, the album that introduced the flutist Elena Pinderhughes. In 2017 he released The Centennial Trilogy, three albums timed to the hundredth anniversary of the first jazz recordings in 1917: Ruler Rebel (March 31), Diaspora (June 23) and The Emancipation Procrastination (October 20), the last of which was nominated for a Grammy for Best Contemporary Instrumental Album. That year he also joined R+R=NOW, the sextet assembled by Robert Glasper with Terrace Martin, Derrick Hodge, Taylor McFerrin and the drummer Justin Tyson, whose studio album Collagically Speaking came out on Blue Note on June 15, 2018. Ancestral Recall (March 22, 2019) featured the poet Saul Williams, and Axiom was recorded live over five nights in March 2020 at the Blue Note in New York, just before the pandemic closed the city's clubs, and released on August 28, 2020. He has six Grammy nominations in all, including two for Best Jazz Solo Performance, for "Guinnevere" and "Sackodougou."
He has also designed instruments with Adams Musical Instruments: a trumpet whose bell is tilted upward at 22 degrees, the reverse flugelhorn that Adams sells as the Adjuah Trumpet, the trumpet-cornet hybrid called the Siren and a smaller Sirenette. He also devised the Adjuah bow, a double-sided electric harp that combines features of the ngoni and the kora, built to his specifications by Bob Grawi. In 2023 he had his name legally changed to Xian aTunde Adjuah and began performing as Chief Adjuah; he is Chieftain of the Xodokan Nation of Maroons and was named Grand Griot of New Orleans at the Maafa commemoration hosted by the Ashé Cultural Arts Center, a title his grandmother Herreast Harrison once held. The same year he received a Doris Duke Artist Award, and on July 28, 2023, Ropeadope issued Bark Out Thunder Roar Out Lightning, recorded in Los Angeles and at Trombone Shorty's studio in New Orleans. It is the first album on which he does not play the trumpet, it draws on Black Indian chant traditions, and Giovanni Russonello of The New York Times named it the best jazz album of 2023.
He formed Chief Adjuah & the Sound Carved from Legend in 2021, and the group closed the Prospect.5 triennial in New Orleans in January 2022. On October 11, 2025, at the Vermont Jazz Center, he played trumpet, harp and vocals with a quintet of Lawrence Fields (piano and keys), Cecil Alexander (guitar), Kris Funn (bass) and Brian Richburg (drums). In 2025 Ropeadope also began releasing new tracks from a tenth-anniversary deluxe edition of Stretch Music: "Back 2 Back" with Pinderhughes, "Shared Stories of Rivals II" with Logan Richardson and Weedie Braimah, and "Take Off Your Cool" with Glasper. The deluxe edition reached streaming services in September 2025, and a limited double-LP edition was listed by retailers for April 2026.
Adjuah's sound starts with a close, speaking middle-register trumpet tone that PopMatters likened to Miles Davis when Anthem appeared, but the music around it draws as much on rock, hip-hop and electronics as on bebop. From 2010 on he built what he calls stretch music: by WNYC's description, a blend of trap beats, traditional West African percussion and the Afro-Native American music of New Orleans, played with a pan-African drum kit and pad samplers alongside the usual rhythm section. The Centennial Trilogy and Ancestral Recall push that approach into long, ritual forms and spoken word, and Bark Out Thunder Roar Out Lightning sets aside the trumpet altogether for harp, ngoni and percussion, in tribute to the Guardians of the Flame and the Congo Square Nation, the Black Indian tribes of his grandfather and uncle. His uncle Donald Harrison was his first teacher and his earliest bandleader. His tilted-bell trumpet is often compared with the upswept horn of Dizzy Gillespie, which was bent at 45 degrees rather than 22. Critics have been divided and generous in turn: John Fordham called the double album Christian aTunde Adjuah a courageous and ambitious experiment, and he has won two Edison Awards, the Jazz FM Innovator of the Year title and the Jazz Journalists Association's Trumpeter of the Year.
Discogs lists Chief Xian aTunde Adjuah, formerly Christian Scott, under artist ID 785722 ("Christian Scott (2)," born March 31, 1983, in New Orleans), with the entry filed under his current name, ID 13488493, cross-referenced to it. Most of the recordings below were issued under the name Christian Scott or Christian Scott aTunde Adjuah. The leader table follows his own albums, the albums he co-leads (the Ninety Miles project, R+R=NOW and two Donald Harrison dates) and the live and box-set editions of his releases; compilations, promotional singles and festival samplers are left out. Catalog numbers are those of the first US or best-documented pressing, recording dates come from Wikipedia and the release credits, and where a date or number could not be confirmed the row says so.
| Album Title | Recording Date(s) | Release Date | Label | Catalog Number | Format(s) | Personnel | Role | Reissue History | Spotify | Buy | Notes |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Christian Scott | 2002, Mix One Studios, Boston | 2003 | Impromp2 (his own label) | Not listed | CD, Album | Christian Scott (trumpet, flugelhorn), Walter Smith III (tenor saxophone), Milton Fletcher and Zaccai Curtis (piano), Ben Garrison, David Daruska and Roman Pilon (guitar), Luques Curtis (bass), Kendrick Scott and Thomas Pridgen (drums) | Leader | None found | — | — | Self-released debut made as a Berklee student. |
| The Survivor | Not stated on the release | 2006 | Nagel Heyer Records | 2068 | CD | Donald Harrison (alto saxophone), Christian Scott (trumpet), Mulgrew Miller and Zaccai Curtis (piano), Luques Curtis (bass), John Lamkin (drums) | Co-leader (billed with Donald Harrison and Mulgrew Miller) | None found | Spotify - The Survivor | — | A Donald Harrison date made in response to Hurricane Katrina. |
| Rewind That | February 9-11, 2005, Fantasy Studios, Berkeley, California | March 28, 2006 (US) | Concord Jazz | CCD-2244-2 | CD, Album | Christian Scott (trumpet), Walter Smith III (tenor saxophone, except the title track), Matthew Stevens (guitar, except "So What"), Zaccai Curtis (Fender Rhodes, Wurlitzer), Luques Curtis (bass), Thomas Pridgen (drums), Donald Harrison (alto saxophone on four tracks) | Leader | Also issued in Japan on Victor (VICJ-61359) | — | — | His Concord debut; Grammy nominee for Best Contemporary Jazz Album. |
| Anthem | January 26-30, 2007, Fantasy Studios, Berkeley, California | August 28, 2007 (US); January 21, 2008 (UK) | Concord Records | CCD-30209 | CD, Album | Christian Scott (trumpet, cornet, flugelhorn, piano on one track), Matthew Stevens (guitar), Aaron Parks (piano, Fender Rhodes, synthesizer), Walter Smith III (tenor saxophone), Louis Fouche (alto saxophone), Luques Curtis (bass), Esperanza Spalding (bass on two tracks), Marcus Gilmore (drums), Brother J (vocals on one track) | Leader | None found | — | — | Written in the aftermath of Hurricane Katrina. |
| Two of a Kind | 2001 to 2004, New York City | 2008 per Wikipedia; AllMusic and Apple Music point to 2009 or 2010; no date on Discogs | Nagel Heyer Records | NH 7002 | CD, Album | Donald Harrison (alto saxophone), Christian Scott (trumpet), Eric Reed and Mulgrew Miller (piano), Luques Curtis (bass), John Lamkin (drums) | Co-leader (billed with Donald Harrison) | None found | — | — | The release date is uncertain. |
| Live at Newport | August 9, 2008, JVC Jazz Festival, Newport, Rhode Island | November 4, 2008 (US) | Concord Jazz | CJA-30853-00 | CD and DVD | Christian Scott (trumpet), Walter Smith III (tenor saxophone on most CD tracks), Matthew Stevens (guitar), Aaron Parks (piano), Joe Sanders (bass), Jamire Williams (drums) | Leader | None found | Spotify - Live at Newport | — | Concert recording issued as a CD and a DVD. |
| Yesterday You Said Tomorrow | April 22-25, 2009, Van Gelder Recording Studio, Englewood Cliffs, New Jersey | March 30, 2010 (US); February 1, 2010 (UK) | Concord Jazz | CJA-31412-02 | CD, Album | Christian Scott (trumpet), Matthew Stevens (guitar), Milton Fletcher Jr. (piano), Kris Funn (bass), Jamire Williams (drums) | Leader | None found | — | — | Edison Award winner; the catalog number is the one listed for the UK CD pressing. |
| Ninety Miles | 2010, Havana, Cuba | June 21, 2011 | Concord Picante | CPI-32904-00 | CD, Album | Christian Scott (trumpet), David Sánchez (tenor saxophone), Stefon Harris (vibraphone), Harold López-Nussa (piano), Rember Duharte (saxophone); full personnel not itemized | Co-leader (with David Sánchez and Stefon Harris) | None found | — | — | Issued with a documentary of the same name. |
| Ninety Miles Live at Cubadisco | May 18, 2010, Teatro Amadeo Roldan, Havana | September 24, 2012 | Concord Picante | CPI-34173ADV | CD, Album | Christian Scott, David Sánchez, Stefon Harris and Cuban guest musicians; full personnel not itemized | Co-leader (with David Sánchez and Stefon Harris) | None found | — | — | Live set from the Cubadisco festival. |
| Christian aTunde Adjuah | July 20-22 and 25-27, 2011, Sear Sound, New York City | July 31, 2012 (US); June 25, 2012 (UK) | Concord Jazz | CJA-33237-02 | CD, Album (2 discs) | Christian Scott (trumpet, siren, sirenette, reverse flugelhorn), Matthew Stevens (guitars), Lawrence Fields (piano, Fender Rhodes, harpsichord), Kris Funn (bass), Jamire Williams (drums), Kenneth Whalum III (tenor saxophone on one track), Corey King (trombone on four tracks), Louis Fouche (alto saxophone on two tracks) | Leader | None found | — | — | Second Edison Award, for Best International Jazz Artist. |
| Stretch Music | December 17-19, 2014, Shames Family Scoring Stage, Berklee College of Music, Boston, and The Parlor, New Orleans | September 18, 2015 | Ropeadope / Stretch Music | RAD-285 (Stretch Music SM-001) | CD, Album; digital | Chief Xian aTunde Adjuah (trumpet, sirenette, reverse flugelhorn), Elena Pinderhughes (flute), Braxton Cook (alto saxophone), Corey King (trombone), Cliff Hines (guitar), Lawrence Fields (piano), Kris Funn (bass), Corey Fonville (drums), Joe Dyson Jr. (pan-African drums), Warren Wolf (vibraphone on one track) | Leader | Tenth-anniversary deluxe edition with new tracks on streaming services from September 19, 2025; a limited double LP was listed for April 2026 | Spotify - Stretch Music 10th Anniversary Deluxe Edition | — | The inaugural release of his Stretch Music label. |
| Ruler Rebel | April 16-21, 2016, The Parlor, New Orleans | March 31, 2017 | Ropeadope / Stretch Music | RAD-352 | CD, Album; digital | Christian Scott aTunde Adjuah (trumpet, siren, sirenette, reverse flugelhorn, SPD-SX, sampling), Elena Pinderhughes (flute), Lawrence Fields (piano), Luques Curtis, Kris Funn and Joshua Crumbly (bass), Cliff Hines (guitar), Corey Fonville (drums), Joe Dyson Jr. (pan-African drums), Weedie Braimah (djembe, bata, congas), Chief Shaka Shaka (dununba, sangban, kenikeni) | Leader | Collected in The Centennial Trilogy (2017) | — | — | First of the three Centennial Trilogy albums; the CD is also listed under SM-002. |
| Diaspora | April 16-21, 2016, The Parlor, New Orleans | June 23, 2017 | Ropeadope / Stretch Music | RAD-365 | CD, Album; digital | Christian Scott aTunde Adjuah (trumpet, siren, sirenette, reverse flugelhorn, SPD-SX, sampling), Elena Pinderhughes (flute), Lawrence Fields (piano), Kris Funn (bass), Cliff Hines (guitar), Corey Fonville (drums), Joe Dyson Jr. (pan-African drums), Weedie Braimah (percussion), Chief Shaka Shaka (percussion), Sarah Elizabeth Charles (vocals on one track) | Leader | Collected in The Centennial Trilogy (2017) | — | — | Second of the three Centennial Trilogy albums. |
| The Emancipation Procrastination | April 16-21, 2016, The Parlor, New Orleans | October 20, 2017 | Ropeadope / Stretch Music | RAD 380 | CD, Album; digital | Christian Scott aTunde Adjuah (trumpet, siren, flugelhorn, SPD-SX), Braxton Cook (alto saxophone), Stephen J. Gladney (tenor saxophone), Elena Pinderhughes (flute), Matthew Stevens (guitar on two tracks), Cliff Hines and Dominic Minix (guitar), Lawrence Fields (piano), Kris Funn and Luques Curtis (bass), Corey Fonville, Joe Dyson Jr. and Marcus Gilmore (drums), Weedie Braimah (percussion) | Leader | Collected in The Centennial Trilogy (2017) | — | — | Grammy nominee for Best Contemporary Instrumental Album. |
| The Centennial Trilogy | April 16-21, 2016, The Parlor, New Orleans | October 27, 2017 | Ropeadope / Stretch Music | RAD-381 | CD, 3-disc set | As on the three albums it collects | Leader | Box set of Ruler Rebel, Diaspora and The Emancipation Procrastination | — | — | Issued to mark 100 years since the first jazz recordings (1917). |
| Collagically Speaking | Not stated; Henson Recording Studios, Los Angeles | June 15, 2018 | Blue Note | B0028360-02 | CD, Album; digital | R+R=NOW: Robert Glasper (keyboards), Terrace Martin (synthesizer, vocoder, saxophone), Christian Scott aTunde Adjuah (trumpet), Derrick Hodge (bass), Taylor McFerrin (synthesizer), Justin Tyson (drums), with guest vocalists | Co-leader (R+R=NOW; also producer) | None found | — | — | Debut album of the R+R=NOW sextet. |
| Ancestral Recall | April to December 2018, The Champagne Room West and The Parlor, New Orleans | March 22, 2019 | Ropeadope / Stretch Music | RAD462 | CD, Album; digital | Christian Scott (trumpet, flugelhorn, siren, keyboards, drums, African drums, mallets, percussion, vocals), Lawrence Fields (piano), Kris Funn (bass), Corey Fonville (drums), Elena Pinderhughes (flute), Logan Richardson (alto saxophone), Weedie Braimah and others (percussion), Saul Williams and others (vocals) | Leader | None found | — | — | Grammy nominee for Best Contemporary Instrumental Album. |
| Axiom | March 11-15, 2020, Blue Note Jazz Club, New York City | August 28, 2020 | Ropeadope / Stretch Music | RAD-600 (vinyl RAD 600V) | CD, Album; 2xLP; digital | Christian Scott aTunde Adjuah (flugelhorn, trumpet, siren, percussion), Elena Pinderhughes (flute), Lawrence Fields (piano, electric piano, keyboards), Kris Funn (bass), Corey Fonville (drums, sampler), Weedie Braimah (djembe, congas, bata) | Leader | None found | Spotify - Axiom (Live) | — | Live album; Grammy nominee for Best Contemporary Instrumental Album. |
| R+R=NOW Live | Not stated | February 12, 2021 | Blue Note | B0033274-02 | Digital | R+R=NOW: Robert Glasper, Terrace Martin, Christian Scott aTunde Adjuah, Derrick Hodge, Taylor McFerrin, Justin Tyson | Co-leader (R+R=NOW) | None found | — | — | Live album by the sextet, who played select dates of Glasper's October 2018 residency at the Blue Note. |
| Bark Out Thunder Roar Out Lightning | Not stated; The Champagne Room West and Westlake Studios, Los Angeles, and Trombone Shorty Studios, New Orleans | July 28, 2023 | Ropeadope / Stretch Music | RAD-725 | CD, Album; digital | Chief Xian aTunde Adjuah (Adjuah bow, ngoni, pan-African drum kit, percussion, vocals, production), Weedie Braimah (djembe, congas, percussion, vocals), Luques Curtis (bass, guembri, vocals), Joe Dyson Jr. (drums on one track), Sia Fodey (vocals) | Leader | None found | Spotify - Bark Out Thunder Roar Out Lightning | — | First album on which he does not play trumpet. |
A representative set of the records on which he appears behind another leader; where the table says credited guest, Discogs lists his appearance but the instrument and track scope were not confirmed.
| Year | Project (Leader) | Title | Label | Catalog | Role | Notes |
|---|---|---|---|---|---|---|
| 2002 | Donald Harrison | Real Life Stories | Nagel Heyer Records | nagel heyer 2022 | Trumpet | Recorded November 4 and 6, 2001. |
| 2002 | Donald Harrison | Kind of New | Candid | CCD 76768 | Trumpet, flugelhorn | Quintet and sextet date with Javon Jackson and Eric Reed. |
| 2003 | Donald Harrison | Paradise Found | Fomp Records | None | Trumpet | Billed Donald Harrison Introducing Christian Scott; recorded March 5, 2000. |
| 2005 | Nnenna Freelon | Blueprint of a Lady: Sketches of Billie Holiday | Concord Jazz | CCD-2289-2 | Trumpet | Recorded March and April 2005 at Fantasy Studios; Julian Lage on guitar. |
| 2006 | Boney James | Shine | Concord Jazz | Not confirmed | Credited guest | Track-level scope of the credit is not confirmed. |
| 2008 | David Benoit | Jazz for Peanuts | Peak Records | Not confirmed | Credited guest | A retrospective of the Charlie Brown television themes; track-level scope not confirmed. |
| 2008 | DJ Logic and Jason Miles | Global Noize | Shanachie | Not confirmed | Credited guest | Track-level scope of the credit is not confirmed. |
| 2008 | Ledisi | It's Christmas | Verve Forecast | Not confirmed | Credited guest | Track-level scope of the credit is not confirmed. |
| 2010 | Soulive | Live at the Blue Note Tokyo | P-Vine Records | Not confirmed | Credited guest | Live album. |
| 2011 | Marcus Miller | Tutu Revisited | Dreyfus Jazz | FDM 46050 36972 2 | Trumpet | Live reworking of the Tutu album with Alex Han on saxophone; CD and DVD release. |
| 2014 | Harvey Mason | Chameleon | Concord Jazz | Not confirmed | Credited guest | Track-level scope of the credit is not confirmed. |
| 2023 | Gregory Hutchinson | Da Bang | Warner Recorded Music | 190296157776 | Trumpet | One of several trumpeters on a hip-hop, funk and neo-soul album. |