Cover art for The Yabuno Ettun Project's debut album "BiPolar" (2014), used as a stand-in — no free-licensed photo of Yabuno could be located after a genuine search. The cover shows both members of the duo, Haruka Yabuno and Ehud Ettun. Standard copyright, all rights reserved — held by the artists. This is not a Creative Commons–licensed image; it is used here as an honestly-disclosed editorial stand-in for a real photo. — Downloaded directly from Apple Music's artist page for The Yabuno Ettun Project (`https://music.apple.com/us/artist/the-yabuno-ettun-project/897275895`), full-resolution artwork at `is1-ssl.mzstatic.com`. Saved locally as `portrait.jpg` in this folder.
Haruka Yabuno began playing piano at three years old, with improvisation part of her practice from the start, and built a classical foundation strong enough to earn distinctions in national competitions before attending Kunitachi College of Music in Tokyo. There she transitioned into jazz studies under Makoto Ozone, Yosuke Yamashita, and Masahiro Sayama, graduating with the jazz department's highest honors and the Yosuke Yamashita Award. She also participated in a Hank Jones master class.
In 2010, on Ozone's recommendation, she received a scholarship to the Berklee College of Music in Boston, majoring in Jazz Composition under pianists Ray Santisi, Alain Mallet, and Neil Olmstead, and studying composition with Greg Hopkins, Phil Wilson, and Scott Free. Her genre range showed early: in 2011 she performed with Rock and Roll Hall of Fame inductee Ernie Isley, and in 2012 she appeared with the Video Game Orchestra at Boston Symphony Hall.
She relocated to New York City in 2013, performing at venues including Jazz at the Kitano and Shapeshifter Lab. There she formed The Yabuno Ettun Project with Israeli bassist Ehud Ettun, releasing their debut album, BiPolar, in July 2014 — a genuinely cross-cultural collaboration between a Tokyo-conservatory-trained pianist and a bassist from an entirely separate jazz tradition.
Yabuno's training bridges rigorous Tokyo-conservatory classical and jazz foundations with the compositional discipline of Berklee's jazz composition program, and her New York-era work with Ehud Ettun reflects an active interest in cross-cultural collaboration rather than a single national jazz idiom.
Discogs artist ID 5315813 has minimal data — no profile text and only one, unrelated credit. Identity and career details for this build come from a direct, successful fetch of the artist's own project website (yabunoettun.com/about/haruka-yabuno), corroborated by a WebSearch synthesis of the same underlying source. This is a different sourcing profile than most builds in this project, which lean on Discogs as the primary spine.
Amazon Associates note: no Associates tag has been set up for this project yet, so every Buy link below is a plain (non-affiliate) Amazon search link. Add ?tag=<ASSOCIATES_TAG> to each once Erik provides one.
| Album | Year | Notes | Listen | Buy |
|---|---|---|---|---|
| BiPolar | 2014 | The Yabuno Ettun Project (duo with Israeli bassist Ehud Ettun), her debut as a recording artist | Spotify | Amazon |
| Relationship | Details |
|---|---|
| Kunitachi College of Music, Tokyo | Studied jazz under Makoto Ozone, Yosuke Yamashita, and Masahiro Sayama; graduated with the jazz department's highest honors and the Yosuke Yamashita Award |
| Hank Jones master class | Participant |
| Berklee College of Music, Boston (2010 scholarship, on Makoto Ozone's recommendation) | Majored in Jazz Composition under pianists Ray Santisi, Alain Mallet, and Neil Olmstead; composers Greg Hopkins, Phil Wilson, and Scott Free |
| Performance | Year | Notes |
|---|---|---|
| With Ernie Isley | 2011 | Rock and Roll Hall of Fame inductee |
| With the Video Game Orchestra | 2012 | Boston Symphony Hall |
| Jazz at the Kitano, Shapeshifter Lab | Since 2013 | New York venues, following her relocation there |
This is a thin published discography by design of the artist's own career stage, not a scale- limiting editorial choice: Discogs carries essentially no data for her, and no additional leader or sideman recordings beyond BiPolar were identified through the sources consulted on this pass.