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Profile No. IL-98 In Memoriam · 1944–2019

Alona Turel

Piano, Hammond Organ, Fender Rhodes, Synthesizer — Israeli — B: March 17, 1944, Ramat Gan, Israel — D: May 8, 2019, near Netanya, Israel

Last updated September 10, 2026

Alona Turel

Alona Turel, photographed by Yaniv Grady on November 9, 2018, during what the file's own Hebrew caption describes as "the final performance of the Platina band" — a reunion show roughly six months before her death. CC BY-SA 4.0 (Creative Commons Attribution-ShareAlike 4.0 International). — Wikimedia Commons, https://commons.wikimedia.org/wiki/File:%D7%94%D7%9E%D7%95%D7%96%D7%99%D7%A7%D7%90%D7%99%D7%AA_%D7%90%D7%9C%D7%95%D7%A0%D7%94_%D7%98%D7%95%D7%A8%D7%90%D7%9C.png ("המוזיקאית אלונה טוראל.png" — "The musician Alona Turel"), photographer Yaniv Grady, uploaded May 13, 2019, 2,478 × 1,985 px.

Alona Turel was born Alona Turkovitz on March 17, 1944, in Ramat Gan, and grew up in the Borochov neighborhood of Givatayim, where her family was among the neighborhood's founding generation. Self-taught on piano from childhood and classically trained, she came to jazz through a friendship with pianist Ziggy Skarbanik. Her professional start is well dated: in 1961, at seventeen, her song "Kshe'ani Ve'at" ("When I and You") placed third at the Israel Song Festival, performed by Nechama Hendel and Shimon Bar; Alon Oleartchik, later her Platina bandmate, separately recorded the same song as a vocalist, an earlier and distinct connection between the two.

From 1964 to 1969 she lived in New York, studying — her own official biography and a Calcalist retrospective disagree on exactly where, one saying the Mannes School of Music and the other the Manhattan School of Music — and working as a warm-up act for Rabbi Shlomo Carlebach and alongside vocalist Novella Nelson. She returned to Israel in 1969 and shifted her main instrument from piano toward organ and the Fender Rhodes electric piano, becoming — by repeated account in Israeli press — the first musician to bring the Fender Rhodes to Israel, which became her signature sound as she moved into arranging and session work across Israeli pop and rock.

She joined Roman Kunsman's band Platina in the mid-1970s on Hammond organ, Fender Rhodes and piano, becoming one of the only women instrumentalists of Israeli jazz's founding generation, alongside co-founder and drummer Aharon "Arale" Kaminsky, guitarist Yitzhak "Churchill" Klepter, keyboardist/reed player Nahum Perferkovich, and, in a later lineup, bassist Alon Oleartchik and bassist Viktor Fonarov. She was also a member of the jazz-rock band Cold Sweat and is connected, per her own official biography, to Shamayim, a band that regrouped some Platina members around singer Dani Litani after Platina's mid-1970s breakup.

Alongside performing she built a long career as an arranger and producer, working across decades with Arik Einstein, Shalom Hanoch, Chava Alberstein, Norit Galron, Yigal Bashan, Danny Litani, Meir Ariel, Corinne Allal, Yuval Banai, Mazy Cohen, Efrat Gush and singer Arleen Gale. Her only album as billed main artist, a setting of Leah Goldberg's love poems, came out in 2007 on Nana Disc. In 2005 she composed a joint theatrical and song program with poet Agi Mishol, When Alona Met Agi; in 2009 ACUM, Israel's composers' and authors' society, honored her with a tribute evening at Tel Aviv's Enav Cultural Center; and in 2018 she received the Arik Einstein Prize for veteran and established artists. A November 9, 2018 photograph of her, taken by Yaniv Grady, is captioned as documenting "the final performance of the Platina band" — a reunion show roughly six months before her death. In her last months she performed a show called I Will Speak With You, sharing its title with an Alberstein song she had composed, alongside vocalist Ronit Ophir.

She died on May 8, 2019, of cardiac arrest at 75, discovered in her car near Netanya while driving to a performance with Ophir on the eve of Israel's Independence Day. Posthumously, a piano scholarship at the Rimon School of Music was named for her, a memorial piano festival was held in November 2019 with proceeds funding that scholarship, and a memorial garden was dedicated in her name in Givatayim in May 2021 — two years after her death, a date some later accounts have mistakenly conflated with her actual death year.

Turel's signature as an instrumentalist was the Fender Rhodes sound she is repeatedly credited with introducing to Israel, which she carried from Platina's jazz-rock arrangements into decades of session and arranging work across Israeli pop. Her range as an arranger and producer — moving between Arik Einstein-era pop, Chava Alberstein's folk-adjacent songwriting, and Meir Ariel's more idiosyncratic material — reflects a career built more on serving other artists' material than on a fixed style of her own, which is likely why her sole billed album, a set of Leah Goldberg poems, came only late, in 2007.

Key Recordings
Full Discography

Alona Turel: Full Discography

Verified against the live Discogs API. Discogs artist ID 1188407, holding 195 credited releases spanning 1961–2019 — almost entirely session/sideman "Appearance" credits, plus a handful of explicit Producer credits and one Main-artist album. The Discogs prose bio field for her is flagged "Needs Vote" (community-unverified) and is not used as a source; only the structured release-credit data is relied on. No verified Spotify artist ID exists for her — two candidates surfaced in search ("Alona" and "The Alona Decade") both belong to unrelated contemporary artists based on their track catalogues.

As Main Artist

Year Title Label Format Notes
2007 Leah Goldberg Love Poems (משירי אהבתה של לאה גולדברג) Nana Disc CD Her only release as billed main artist.

As Producer

Year Title Label Notes
1987 "מה אכפת לציפור" CBS 12" single
1988 "נשל הנחש" CBS 12" single
1988 "ירוקות = Yellow Blue"
1989 "למה לנו כל העניין הזה" CBS LP
1989 "אחרינו המבול = Après Nous Le Déluge"
2010 "האלבומים המקוריים" (reissue box) NMC United

As Sideman/Session Musician (selected — 195 total credits on file)

Year Title (Artist) Label Notes
1968 Chava Alberstein CBS LP
1973 Live At The "Bar Barim" (The Platina) Isradisc Founding-era Platina lineup.
1974 Freedom (The Platina) Isradisc Hammond organ, Fender Rhodes, piano.
1974 Chava Alberstein and The Platina CBS
1980 Shamayim Post-Platina spinoff project connected to singer Dani Litani.
2019 Milim Bodedot Nofat Sarl Reissue/compilation, her last dated credit.

Dozens more sideman/keyboard-arrangement credits run through the 1970s–80s for additional artists and continue in reissue box sets through 2019; the full 195-entry list is available via the live Discogs API at https://api.discogs.com/artists/1188407/releases (paginated) rather than reproduced in full here.

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