Larry Mizell at the keyboard, of the Mizell Brothers production team — no free-licensed photo of Mizell could be located after a genuine search. Standard copyright, all rights reserved — photographer uncredited. This is not a Creative Commons–licensed image; it is used here as an honestly-disclosed editorial stand-in for a real photo. — Downloaded directly from Larry Mizell's Discogs artist page (https://www.discogs.com/artist/68871-Larry-Mizell), image hosted at i.discogs.com. Saved locally as portrait.jpg in this folder.
Larry Mizell was born February 17, 1944, in New York City. He and his younger brother Alphonso "Fonce" Mizell were both given trumpets as teenagers and joined their school band, but their formal paths diverged at Howard University, where Larry earned a degree in engineering while Fonce studied music under trumpet legend Donald Byrd, a connection that would define both brothers' careers. In the early 1970s, Larry and Fonce moved to California together to launch their own production company, Sky High Productions.
From 1972 to 1981, the Mizell Brothers produced some of the most recognizable recordings in jazz-funk history. Their five-album run with Donald Byrd between 1973 and 1976 began with Black Byrd (1973), which became Blue Note's best-selling album to that point and helped establish the blueprint for jazz-funk and, later, acid jazz and neo-soul; Donald Byrd's own career is covered in full in his JazzProfiles.com profile. They went on to produce Bobbi Humphrey's Blacks and Blues and Fancy Dancer, Johnny Hammond's Gears, and Gary Bartz's Music Is My Sanctuary, among many others, defining the sound of an entire label era largely from the production chair.
Larry Mizell's engineering background gave the brothers' productions a distinctively layered, electronically sophisticated sound within an otherwise soul- and funk-rooted aesthetic, a combination that helped define jazz-funk as a genre and later became a foundational reference point for acid jazz and neo-soul producers.
Identity confirmed via Discogs artist ID 68871 ("Larry Mizell"). All credits are as producer/songwriter (a joint Discogs "Larry Mizell & Fonce Mizell" credit, 1506426, also exists); no leader releases under his own name were found.
| Artist | Album | Year | Notes |
|---|---|---|---|
| Donald Byrd | Black Byrd | 1973 | Blue Note's best-selling album at the time. |
| Donald Byrd | Street Lady | 1973 | |
| The Blackbyrds | The Blackbyrds | 1974 | |
| Bobbi Humphrey | Blacks and Blues | 1974 | |
| Donald Byrd | Places and Spaces | 1975 | |
| Johnny Hammond | Gears | 1975 | |
| Gary Bartz | Music Is My Sanctuary | 1977 |
His full production catalog (343+ Discogs credits) spans 1972-1981; not itemized exhaustively here. Donald Byrd's own leader discography is covered in Donald Byrd's own profile.