JAZZPROFILES lives in the music 1,146 Jazz Artists fully Profiled!
Profile No. IL-99

Nahum Perferkovich

Fender Rhodes, Piano, Melodica, Viola, Clarinet — Israeli (Soviet-born) — B: 1945, Riga, Latvia (USSR)

Last updated September 10, 2026

Nahum Perferkovich

Cover art of *Live At The "Bar Barim"* (Isradisc SI 31045, 1973), the Platina album where Nahum Perferkovich is specifically credited on Fender piano. No CC-licensed or public-domain photograph of him could be found under any spelling of his name (Latin or Hebrew script); this cover is used as the only available image connected to him, per the site's disclosed album-cover fallback convention. A different Platina album cover (*Freedom*, 1974) is already used for Roman Kunsman's profile on this site, so this release was deliberately chosen instead to keep each Platina member's fallback image distinct. Saved locally as `portrait.jpg`. Album cover art (not a CC-licensed artist photo), used as the only available image connected to the artist. Copyright is held by Isradisc and/or the release's uncredited designer. This is an honestly disclosed editorial stand-in, not a free-licensed image. — Retrieved from the Discogs release page's image asset via the public Discogs API, https://api.discogs.com/releases/4827147. Release page: https://www.discogs.com/release/4827147-The-Platina-Live-At-The-Bar-Barim-%D7%94%D7%A7%D7%9C%D7%98%D7%94-%D7%97%D7%99%D7%94-%D7%91%D7%91%D7%A8%D7%91%D7%A8%D7%99%D7%9D.

Nahum Perferkovich was born in 1945 in Riga, to a musical mother and a chemical-engineer father, and started violin and piano at eight. By twelve he was drawn to jazz, Dixieland and mambo over the radio; at thirteen he was already working as a café pianist with a Jewish orchestra, and he doubled on viola in a military community-center symphony orchestra. By 1961, at sixteen, he was part of Riga's small jazz scene, performing with singer Lev Pilchuk. Drafted into the Soviet army in 1964, he formed an unofficial orchestra and taught himself clarinet in secret; in 1966 he was sent to help rebuild after the Tashkent earthquake, playing dance music there. After his 1968 discharge he joined saxophonist Boris Gamer's ensemble Combo, which placed first in Czech jazz-recording competitions and toured major Soviet festivals.

He immigrated to Israel in 1971, settling first in Nazareth Illit and then Jerusalem, and auditioned into Roman Kunsman's band Platina at Café Noga in Tel Aviv. In Platina he played electric and acoustic piano alongside Alona Turel on Hammond and Rhodes, and is separately credited on viola and melodica on other sessions of the period; the Discogs credits for Platina's two officially released albums list him only on keys, while prose biographies also describe him playing clarinet and viola in the band's live sets. Platina played New York's Avery Fisher Hall in 1974 as part of that year's Newport Jazz Festival programming. He left the band at the end of 1975, replaced by Kobi Arlik, and simultaneously held the principal viola chair in the Israel Radio symphony orchestra; a four-month stint arranging for the Israeli Air Force orchestra followed his 1975 draft into that service.

Through the mid-to-late 1970s he worked with singers Yehoram Gaon, Edna Goren, and Chava Alberstein. He is credited on melodica on a track of Meir Ariel's 1979 album and on viola on Yardena Arazi's 1987 album Gypsy Soul. From 1980 to 2013 he taught in the jazz department of the Jerusalem Academy of Music and Dance; after retiring from that post he continued teaching at Hed College and leading jazz and Dixieland ensembles. He appeared at a Platina-related event at Shabool club, Tel Aviv port, in October 2016, and a since-undated video shows him leading a jazz ensemble at a music school. His current status could not be confirmed.

Perferkovich's most distinctive credential is melodica: a Hebrew-language biography credits him as among the first to play jazz on the instrument, developing it while still in Latvia and later building a specialized method for teaching jazz through it — a claim that, while single-sourced, is corroborated by an actual melodica session credit on a Meir Ariel recording. His documented recording work otherwise sits squarely inside Platina's jazz-rock and fusion idiom, on Fender Rhodes and acoustic piano alongside Alona Turel's own keyboard work, with viola and clarinet as secondary instruments drawn from his classical training and Soviet-era big-band background.

Key Recordings
Full Discography

Nahum Perferkovich: Full Discography

Verified against the live Discogs API. Discogs artist ID 1187434 ("Nachum Perperkovich"; name variants: Nachum Pereferkovitch, Nahum Pereferkovitch, Nahum Perferkovitz, Nahum Perperkovich, plus Hebrew-script variants נ. פרפרקוביץ, נחום פרברקוביץ, נחום פרפקוביץ, נחום פרפרקוביץ, נחום פרפרקוביץ', נחום פרפרקוביץ׳). No Spotify artist ID could be found under his name — a "Platina Jazz" Spotify page is a modern, unrelated Swedish project and must not be confused with this band.

As Sideman (The Platina)

Year Title Label Catalog Role Notes
1973 Live At The "Bar Barim" Isradisc SI 31045 Piano [Fender]
1974 Freedom Isradisc SI 31051 Electric Piano [Fender Rhodes], Piano [Acoustic]
1974 Chava Alberstein and The Platina CBS Viola, Piano Per Europeana catalog metadata; not independently re-verified against the live page, which returned an access error during research.

As Sideman (Other Artists)

Year Title (Artist) Label Role Notes
1979 שירי חג ומועד ונופל (Meir Ariel) Melodica (track B2, "חבית הדגים") Documentary evidence for the "pioneering jazz melodica" claim made in prose biographies.
1987 Gypsy Soul = נשמה צוענית (Yardena Arazi) Viola

Data hazards

Personnel & Collaborations
Linked Profiles
More Like This

More Jazz Fusion Artists

See all 221 Jazz Fusion artists →

More Israeli (Soviet-born) Jazz Artists

See all 3 Israeli (Soviet-born) artists →
Links & Sources