Last updated September 10, 2026
Cover art of *Red Sea* (Brownstone Recordings, 1998), Issi Rozen's debut album. No CC-licensed or public-domain photograph of Rozen could be found; this cover is used as the only available image connected to him, per the site's disclosed album-cover fallback convention. Saved locally as `portrait.jpg`. Album cover art (not a CC-licensed artist photo). Cover photography credited to Christopher Navin per Discogs; underlying licensing status of the image is otherwise unknown. This is an honestly disclosed editorial stand-in, not a free-licensed image. — Retrieved from the Discogs release page's image asset via the public Discogs API, https://api.discogs.com/releases/6010237.
Issi Rozen was born in Haifa on April 20, 1967, and moved to Tel Aviv as a child, starting guitar at ten. After three years of Israeli military service, he moved to Boston in 1991 to study at Berklee College of Music, joining the school's guitar and music theory faculty in 2002. His debut album, Red Sea (Brownstone Recordings, 1998), featured pianist Gilad Barkan, whom he had met at Berklee and who became a recurring collaborator across his recorded output, alongside bassist Jim Stechschulte and drummer Steve Langone. A second album, Homeland Blues, was named a top-20 CD of the year by Chicago public radio station WBEZ, and Boston Magazine named him "Best Jazz Performer" in its 1999 "Best of Boston" issue. He self-released a third album, Dark Beauty, on his own label, New Step Music, around 2003, again with Gilad Barkan on piano, joined by bassist Thomson Kneeland and drummer Harvey Wirht.
Around 2004–2005 Rozen largely left active performing and recording to pursue graduate business study at MIT Sloan, moving into biotechnology and venture capital: he went on to serve as Chief Business Officer at the Broad Institute, co-founded the biotech company Verve Therapeutics in 2018, and is now a General Partner at GV (Google Ventures). No source documents ongoing musical activity since that career shift; this profile treats his active period as a jazz guitarist as running from roughly 1991 to the mid-2000s.
Rozen's recorded work sits in a mainstream, melodically grounded post-bop idiom, built around a stable working relationship with pianist Gilad Barkan across all three of his albums. His profile is unusual for this catalogue in having a genuinely documented "before and after": a working Boston jazz guitarist and Berklee faculty member for roughly a decade and a half, followed by a complete career change into biotech and venture capital, a transition covered directly by at least one profile specifically about that pivot.
Verified against the Discogs public API (direct HTML page fetches were blocked during this research pass). Discogs artist ID 3969257, flagged "Needs Vote" for data quality.
| Year | Title | Label | Catalog | Personnel | Notes |
|---|---|---|---|---|---|
| 1998 | Red Sea | Brownstone Recordings | BRCD 9805 | Issi Rozen (guitar, producer), Gilad Barkan (piano), Jim Stechschulte (bass), Steve Langone (drums) | Cover photography credited to Christopher Navin. |
| 1999 or 2000 | Homeland Blues | Brownstone Recordings | Not confirmed | — | Year disputed across sources (Wikipedia/All About Jazz say 1999; the Discogs artist profile text and a 2023 feature say 2000). Not catalogued as its own release on Discogs; exists commercially per an Amazon listing (ASIN B00004SR34). Named a top-20 CD of the year by Chicago's WBEZ radio. |
| c. 2003 | Dark Beauty | New Step Music | Listed on Discogs as "617.730.8284" — reads like a phone number, likely a data-entry error, not a genuine catalog code | Issi Rozen (guitar), Gilad Barkan (piano), Thomson Kneeland (bass), Harvey Wirht (drums) | Self-released on his own label. |