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This Day in Japanese Jazz — September 22, 1997

Three Nights Taped at Blue Note Tokyo, Shelved for Four Years, Then Issued Under the Drummer’s Name

Toshiko Akiyoshi seated at a grand piano, turning to look over her shoulder at the camera

On September 22, 1997, Toshiko Akiyoshi opened a three-night stand at Blue Note Tokyo with Yoshio Suzuki on bass and Motohiko Hino on drums — a homecoming for a pianist who left for Berklee in 1956 and never moved back. Nippon Crown taped all three nights, sat on them for four years, and issued the result on September 21, 2001 as Live at Blue Note Tokyo ’97, sold in Japan under a longer title billing the group as a “Japanese Trio” featuring Motohiko Hino. Hino had died of pancreatic cancer in May 1999, aged 53: the album is named for a man who never heard it come out. The “Japanese” framing is its own dry joke — Suzuki had held the bass chair in Stan Getz’s group and Art Blakey’s Jazz Messengers, and Hino had worked out of New York since 1978. Tower Records dates the sessions to October 1997; jazzdisco.org and Wikipedia both give September 22–24, used here.

Toshiko Akiyoshi in 1978, nineteen years before the Blue Note Tokyo nights. (Photo: Brian McMillen, CC BY-SA 3.0, via Wikimedia Commons)

Sources: Toshiko Akiyoshi discography — jazzdisco.org (session log: Blue Note Tokyo, September 22, 23 and 24, 1997) , Toshiko Akiyoshi Trio Live at Blue Note Tokyo '97 — Wikipedia , 日野元彦 — Wikipedia (Japanese; death on May 13, 1999, pancreatic cancer, aged 53) , 鈴木良雄 — Wikipedia (Japanese; Stan Getz 1974, Art Blakey's Jazz Messengers 1975–76) , Japanese Trio: Live At Blue Note Tokyo 1997 Featuring 日野元彦 (CRCJ-9154) — HMV&BOOKS online , 秋吉敏子トリオ / ライブ・アット ブルーノート東京'97 — Tower Records (release date and the competing October dating)

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