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Profile No. IL-71

Albert Piamenta

Alto saxophone, soprano saxophone, clarinet, bass clarinet — Israeli — B: July 6, 1938, Jerusalem
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Albert Piamenta

Albert Piamenta performing with the Israeli Saxophone Quartet, June 2013 CC BY 2.5 — Wikimedia Commons, photograph by Yehudit Garinkol via the PikiWiki Israel free image collection project (image 32383), File:PikiWiki Israel 32383 Israeli jazz musicians - Albert Piamenta (cropped).JPG, https://commons.wikimedia.org/wiki/File:PikiWiki_Israel_32383_Israeli_jazz_musicians_-_Albert_Piamenta_(cropped).JPG

Albert Piamenta led the quartet that made the first instrumental jazz album ever recorded in Israel, and he had to talk a record label into paying for it.

He was born on July 6, 1938 in Nachlat Zvi, a Jerusalem neighborhood, the youngest of ten children of Yosef Piamenta, a public health inspector, and Rachel née Cohen-Sit. His father loved music and played the oud and the qanun at home. As a small boy Albert built himself a rough mandolin and worked out how to play it. His parents bought him an accordion when he was 12 and he learned it entirely by ear. He picked up a saxophone at 15, moved to clarinet at 16, and began formal study with Yehuda Polchak of the Jerusalem police orchestra, who taught him free of charge early in the morning before school.

Jazz reached him just before his military service, through Mel Keller, an immigrant teacher who had started giving lessons in the idiom in Israel; Piamenta was among his first students. He formed an amateur jazz trio with Nechemia and Chaim Chayon that played dances in clubs and at balls. From 1957 to 1959 he served as a clarinet player in the IDF Orchestra under Shalom Ronly-Riklis, then spent about a year in the Israel Police orchestra while beginning to play clubs in Jerusalem and Tel Aviv alongside the pianist Dan Gottfried, who would later found the Red Sea Jazz Festival in Eilat.

The 1960s were his apprenticeship in every direction at once. In 1960 he joined the dance orchestra of Moriz "P.C." Ushrowitz, resident at the Dan Hotel in Tel Aviv, whose book was built mainly on jazz. In 1963 he and Gottfried formed the Carmel Quartet with Joe Israel and the drummer Yossi "Papo" Levy; the group toured Holland and Sweden with real success before breaking up in 1965. In 1964 he spent over a year with Los Cinco Amigos, a salsa band from the Dominican Republic touring Israel. He also began an eight-year course of composition study with Dr. Zvi Keren. In 1967 he formed the Albert Piamenta Quartet with Avi Farin, Valerio Segal and Stu Hacohen, playing Aris San's Tel Aviv club, and renamed it Piamenta's Guys. When Arale Kaminsky brought him into the band at the Bar-Barim club in 1968, Kaminsky recommended the group to Arik Einstein, who used them live and on the album Mazal Gdi.

By 1971 Piamenta had become one of the busiest arrangers in Israeli popular music. He wrote two songs for the 1968 evening of Rachel the Poetess settings performed by Chava Alberstein and Danny Granott. He arranged five songs on Cilla Dagan's 1970 debut, Ilana Rovina's 1971 hit "Lech Ita," Shlomo Artzi's second album Al Anashim in 1971 with David Krivoshei, and four songs on Artzi's third in 1972.

That same year he did the thing he is remembered for. He persuaded Avshalom Rubin, the head of the label Isradisc, to fund an instrumental jazz record, something no Israeli label had ever released. The budget was 3,000 lira. Piamenta reassembled the Jazz Work Shop quartet he had formed with Gottfried in 1971, booked Koliner Studios in Tel Aviv, and cut the whole album in a single day: Piamenta on alto and soprano saxophone, Gottfried on piano, Teddy Kling of the Israel Philharmonic on bass, Jerry Garval on drums.

Mezare Israel Yekabtzenu takes its title from Jeremiah, "He that scattered Israel will gather him." Its six tracks are built from Arab maqamat, Druze rhythms and Hasidic melody, deliberately, with the stated aim of freeing Israeli musicians from the American songbook. Piamenta had absorbed the Middle Eastern material in the clubs of Jaffa before the Six Day War. In 1972 the combination of ethnic music and jazz was an unusual thing to attempt anywhere, and in Israel it was unprecedented on record.

Around the same time he and the choreographer Sara Levi-Tanai assembled Finjazz, a group pairing Dudu Elharar and Aliza Azikri with a nine-piece jazz orchestra, presenting familiar Israeli songs in new jazz arrangements and touring nationally under the Omanut La'am public arts scheme. Audiences did not take to it and the group folded quickly.

In 1974 he scored Nissim Dayan's film Or Min Hahefker, and then left for New York, where he stayed until the end of 1979. With Stu Hacohen's help he found work in a club playing Armenian and Arabic music. He arranged and produced for Israeli singers living in the city, among them Ran Eliran and Samir Shukry, and performed with the orchestras of Don Pinto and Tito Puente. In parallel he studied electronic music in Manhattan and classical Arabic music on Long Island, and composed for documentary film. In 1977 the cantor David Avichzer commissioned a set of arrangements; Piamenta recorded them on a trip back to Israel, was pleased enough with the instrumental tracks to keep them, and released them as Improvisation (also known as Mawal Improvisation) on CBS Israel in 1981. It closes out his New York period and mixes New York jazz with Mediterranean, Ladino, Greek and Turkish material, including a track called "Tel Aviv New York Tel Aviv."

The decade after his return went into building institutions rather than a catalogue. He became director of the Tel Aviv-Jaffa Music Center, where roughly 500 teenagers study, and started a Dixieland ensemble and a big band inside it. From the mid-1980s he was musical director and conductor of the representative youth orchestras of Tel Aviv and Jerusalem. In 1983 he founded the Israeli Saxophone Quartet with three of his own students, Noah Rosenzweig, Ilan Berkovich and Gan Lev; it recorded two albums for MCI in 1990, one of classical and contemporary repertoire and one of jazz and ethnic music. He was musical director of the Safed Klezmer Festival in 1986, and he has taught at the Jerusalem Academy of Music and Dance. He also produced arrangements for well-known singers throughout the decade and served as musical director of the Mizrahi song festivals.

In the 1990s he formed the Chamber Trio and the band Kamun, active from 1997 to 2001, with Yossi "Papo" Levy on drums, Ezra Barhoum on oud, Leonid Ptashka on piano and Shai Marom on keyboards, joined later by Amir Masrik on double bass and Amit Lissai on percussion. He arranged "Ah Ya Zen" for Bustan Abraham's Abadai in 1996 and guested on clarinet and bass clarinet on "Black Seagull" from their 1997 album Fanar. In 1998 he contributed two compositions, "Amman Amman" and "Wared," and an adaptation, "Shortwave," to the Israel Philharmonic's Arab-Jewish ensemble SheshBesh for their album on the German jazz label Enja. He has been a frequent performer at the Red Sea Jazz Festival, and in 2006 he received the Minister of Education and Culture Prize for 2005.

In 2014, forty-one years after it came out and vanished, the 1973 album returned twice over. The British reissue label Jazzman put its title track on Spiritual Jazz 5: The World, a survey of modal and deep jazz recorded anywhere between 1961 and 1979, placing an Israeli record from Isradisc alongside Hideo Shiraki, Tete Mbambisa, Paul Winter and Louis Banks. The same year Fortuna Records remastered and reissued the whole album on vinyl for the first time.

He is 88, and in a March 2023 interview with Maariv he described still playing with the same appetite he had at the beginning.

Piamenta's playing sits at the meeting point of three trainings that rarely occur in the same musician: European classical woodwind technique from Yehuda Polchak and eight years of composition with Zvi Keren; American jazz from Mel Keller and then from working New York clubs; and Arabic classical music, absorbed first in the Jaffa clubs of the 1960s and later studied formally on Long Island.

What he did with that combination was directional rather than decorative. The 1972 album's premise is that Israeli jazz musicians should stop proving themselves against American standards and build from the material actually around them, which in his case meant Arab maqamat, Druze rhythms, Hasidic niggunim, Ladino song and Greek and Turkish forms. Discogs files Mezare Israel Yekabtzenu as avant-garde jazz; the crate-digging reissue market later filed it as spiritual and modal jazz. Both readings fit a record that treats liturgical and folk melody as raw material for extended improvisation rather than as local color.

His versatility is documented in the shape of his career rather than claimed for him. He is a reeds player who has worked in jazz, classical, Arabic and Mediterranean settings, led a Dixieland band and a big band, conducted youth orchestras, founded a saxophone quartet playing contemporary classical repertoire, and arranged for mainstream Israeli pop singers across five decades.

Key Recordings
Full Discography

Albert Piamenta: Full Discography

Albert Piamenta (born July 6, 1938, Jerusalem), Israeli saxophonist, clarinetist, composer and arranger. Alto and soprano saxophone, clarinet, bass clarinet.

Discogs artist: 1455042. Spotify artist: Albert Piamenta.

Name variations recorded on Discogs: A. Piamenta, Albert Piammenta, Albert Piemente, Piamenta, and four Hebrew-script variants (א. פיאמנטה, א.פיאמנטה, אלברט פאמנטה, אלברט פיאמנטה, פיאמנטה).

Group entities: Jazz Work Shop (Discogs 3988118), Piamenta's Guys / הברנשים של פיאמנטה (Discogs 2997060).

Totals under the Piamenta artist entity: 182 releases, of which 1 is a Main (leader) credit, 4 are producer credits, 176 are album appearances and 1 is a track appearance. The two group entities carry a further 13 releases between them, including Mezare Israel Yekabtzenu, which is filed under the band name Jazz Work Shop rather than his own.


Leader and band leader

Album Year Label Personnel Notes Listen Buy
Mezare Israel Yekabtzenu (as Jazz Work Shop) 1973 Isradisc (SI 31028), Israel Albert Piamenta (alto and soprano saxophone), Dan Gottfried (piano), Teddy Kling (bass), Jerry Garval (drums) The first instrumental jazz album recorded in Israel. Six tracks: "Mezare Israel Yekabtzenu" (7:42), "Rabbi Elimelech" (6:30), "Sha Shtil Harabbi Ba" (5:38), "Ala Dal'ona" (6:41), "Ken Yovdu Kol Oyvecha" (7:07), "Hamichtav" (6:01). Recorded in one day at Koliner Studios, Tel Aviv, on a 3,000 lira budget from Isradisc. Discogs genre: Jazz, style Avant-garde Jazz. Reissued on vinyl by Fortuna Records (FTNLP002) in December 2014, its first reissue. Title track licensed to Jazzman Records for Spiritual Jazz 5: The World the same year. YouTube (full album) · Bandcamp Amazon
Improvisation (מאוואל - אימפרוביזציה, "Mawal Improvisation") 1981 CBS Israel (85589) Albert Piamenta and ensemble; photography Tzachi Ostrovsky, design Dennis Jones His first instrumental album under his own name. Ten tracks on the LP: "Im Nin'alu," "Ke Yo Phorti" (Ladino), "Dirlada" (Greek), "Adio" (Ladino), "Ishkadra" (Turkish), "Bab El Amud," "Um Musa," "Dror Yikra," "Tel Aviv New York Tel Aviv," "Yemin Moshe." Grew out of arrangements commissioned in 1977 by the cantor David Avichzer and recorded on a trip home from New York. Discogs genres: Jazz, Funk / Soul, Folk World & Country. Spotify Amazon
Classical and contemporary music, with the Israeli Saxophone Quartet 1990 MCI, Israel Israeli Saxophone Quartet: Albert Piamenta, Noah Rosenzweig, Ilan Berkovich, Gan Lev One of two albums the quartet recorded for MCI in 1990, this one of classical and contemporary repertoire. not found Amazon
Jazz and ethnic music (Arabic, Judeo-Spanish, standards and originals), with the Israeli Saxophone Quartet 1990 MCI, Israel Israeli Saxophone Quartet: Albert Piamenta, Noah Rosenzweig, Ilan Berkovich, Gan Lev One of two albums the quartet recorded for MCI in 1990, this one of jazz and ethnic material. not found Amazon

Piamenta's Guys (הברנשים של פיאמנטה), Discogs 2997060

The band Piamenta formed in 1967 as the Albert Piamenta Quartet with Avi Farin, Valerio Segal and Stu Hacohen, house band at Aris San's Tel Aviv club, and renamed shortly after. Its own releases are 7-inch singles.

Release Year Label Format Notes Listen Buy
Eize Ba'al Ben Bliyaal (איזה בעל בן בליעל) 1969 Hed-Arzi 7", EP Discogs release 11924900. not found Amazon
Badad (בדד) 1969 Hed-Arzi 7", EP Discogs release 11924967. not found Amazon
"Ob-La-Di, Ob-La-Da" / "Beit Ha'Arava," with Arik Einstein 1969 CBS 7", single Billed as "Arik Einstein With Piamenta And His Boys." Discogs release 12425102. not found Amazon
"Zanuba," on Tel Aviv Got Soul (Rare Jems From Funky Tel Aviv 1969-1971) 2018 (rec. 1969) האחים (BROTHERS001) LP, compilation Track B1. The instrumental side of the band, reissued 49 years later. YouTube Amazon

Jazz Work Shop (Discogs 3988118), other releases

Release Year Label Notes Listen Buy
"Mezare Israel," on Spiritual Jazz 5: The World (Esoteric, Modal And Deep Jazz From Around The World 1961-79) 2014 Jazzman (JMANCD067 / JMANLP067) Track A4 of 17, between Oladepo Ogomodede's "Take Five" and the Erol Pekcan / Tuna Ötenel / Kudret Öztoprak trio's "Köy Yolu." Also on the record: Hideo Shiraki, Tete Mbambisa, Paul Winter, Louis Banks, Charlie Munro. Spotify · Jazzman Amazon
"Mezare Israel Yekabtzenu," on il Dramma 06 - The Joker 2007 Poor Mixed Discos DJ ilD mixtape; track appearance. Discogs release 28544695. not found not found

Producer

Release Year Artist Label Notes Listen Buy
Songs To Jerusalem 1978 Joshua Tenne Windblown LP, album. Discogs release 21426460. Piamenta also appears as a performer. not found Amazon
The International Sound of The Leaders 1979 The Leaders (19) Not On Label LP. Discogs release 32487420. Piamenta also appears as a performer. not found not found
Joshua Tenne 1980 Joshua Tenne Discogs master 3281632 Piamenta also appears as a performer. not found Amazon
Eastern Soul 2018 Tsvia Abarbanel Discogs master 1701278 Reissue of the 1970 Shirei Levav / Soul Of The East material. not found Amazon

Selected guest and composer credits

Release Year Artist Label Piamenta's credit Listen Buy
Abadai 1996 Bustan Abraham Nada Productions (NADA 9) Arranged by, on track 3, "Ah Ya Zen." Ross Daly guests on the album. Bustan Abraham on Spotify Amazon
Fanar 1997 Bustan Abraham Nada Productions (NADA 13) Guest, clarinet and bass clarinet, on track 7, "Black Seagull." Zakir Hussain (tabla) and Hariprasad Chaurasia (bansuri) guest on track 2; Achinoam Nini sings on track 6; Zohar Fresco plays percussion throughout. Fanar is not on Spotify; four other Bustan Abraham albums are. Bustan Abraham on Spotify Amazon
SheshBesh 1998 SheshBesh Enja Records (TIP-888 830 2) Composed by, on track 6 "Amman Amman" and track 8 "Wared"; adapted by, on track 10 "Shortwave." SheshBesh is the Israel Philharmonic's Arab-Jewish ensemble. Recorded at Galkol Studios, Bnei Brak. AllMusic entry Amazon
Songs By Rachel (שירי רחל) 1969 Chava Alberstein, Danny Granott Discogs master 4022320 Composer of two songs, "Rak Al Atzmi" and "Ishto," written for the 1968 evening of Rachel the Poetess settings. Chava Alberstein on Spotify Amazon
Al Anashim (על אנשים) 1971 Shlomo Artzi Discogs master 3796899 Arranger, with David Krivoshei. Artzi's second album. Shlomo Artzi on Spotify Amazon
Pitom Achar Yamim Rabim (פתאום אחר ימים רבים) 1972 Shlomo Artzi Discogs master 1442470 Arranger on four songs, including "Derech Shtei Nekudot" and "Ahava (Shnei Dagim)." Shlomo Artzi on Spotify Amazon
Cilla Dagan (צילה דגן) 1970 Cilla Dagan Discogs master 3315940 (2023 reissue) Arranger on five songs, including "Ve'lo Haya Beineinu Ela Zohar," "Yom Bo Yakum," "Nachal Sheli," "Le'Tmunat Ima" and "Kochavim Bidli." Her debut album. not found Amazon
Voice In The Wind (original soundtrack) 1980 Aris San Lion (18) Album appearance. Piamenta's quartet had been the house band at Aris San's club in the late 1960s. not found Amazon

Complete appearance list

Every release carrying Piamenta's name as a performer, in chronological order. This is session and compilation work: Israeli popular music, song festivals, soundtracks, children's records and later anthologies, spanning 1962 to 2025. Releases with no year on file are listed under Undated.

1960s

1970s

1980s

1990s

2000s

2010s

2020s

Undated

Personnel & Collaborations
Linked Profiles
Links & Sources