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Profile No. 806

Tamir Shmerling

Double bass, electric bass — Israeli — B: Ashkelon, Israel (birth year not publicly confirmed)
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Tamir Shmerling grew up in Ashkelon, Israel, and served as bassist in an Israeli Defense Forces orchestra from 2005 to 2008. After completing his military service he worked in big bands in Tel Aviv and Holon while studying at the Rimon School of Music, one of Israel's principal contemporary music conservatories. In 2008 he was awarded a scholarship to attend Berklee College of Music in Boston, where his teachers included Hal Crook, Ralph Peterson Jr., Terri Lyne Carrington, Greg Osby, Jamey Haddad, Alain Mallet, John Lockwood, and Ed Tomassi. Since relocating to the United States he has performed and recorded with a wide range of artists, among them Terri Lyne Carrington, Kevin Eubanks, Jerry Bergonzi, Alain Mallet, Carmen Lundy, Lizz Wright, Ingrid Jensen, Adam Rogers, Nona Hendryx, Gretchen Parlato, Helen Sung, Ofer Ganor, Avishai Cohen, Ignacio Berroa, Jason Palmer, and Jerome Sabbagh.

His first American studio credit came in 2015, recording bass on saxophonist Miles Donahue's The Bug (released 2017 on Whaling City Sound, with guitarist Mike Stern and saxophonist Jerry Bergonzi also in the band). Further sideman dates followed through the second half of the decade with pianist Addison Frei's trio, alto saxophonist Caroline Davis, Israeli pianist Guy Mintus's trio, and the Dan Pugach Nonet. In 2018 he recorded on Eli Degibri's Soul Station, a tribute to Hank Mobley's 1960 Blue Note album of the same name, cut July 5 and 6, 2017 with pianist Tom Oren and drummer Eviatar Slivnik rounding out the quartet. By the time of that release Shmerling had become a working member of the Eli Degibri Quartet, playing dates with the group at Smalls in New York in both 2017 and 2019.

New York's Smalls and Mezzrow clubs became Shmerling's steady home base from the 2010s onward. SmallsLIVE's own dated performance archive documents more than a decade of regular appearances there: with the Mario Castro Quintet, the Eyal Vilner Big Band, the Hailey Niswanger Quartet, the Wayne Tucker Quintet and Sextet, Itai Kriss and Telavana, and a long-running Mezzrow trio partnership with pianist Peter Mazza and organist Misha Tsiganov. His most sustained rhythm-section pairing has been with pianist Victor Gould, whose trio he anchored at Mezzrow and Smalls repeatedly between 2019 and 2026 alongside drummers including E.J. Strickland, Anwar Marshall, Kush Abadey, and Mark Whitfield Jr. In January 2024 he shared a Mezzrow bill billed simply as "Davis Whitfield, Tamir Shmerling & Eviatar Slivnik," reuniting him on the bandstand with his Soul Station bandmate. He has also worked regularly with Amos Hoffman's quintet and vocal-trumpeter Wayne Tucker's various New York groups, and has performed at the Newport Jazz Festival, the Martha's Vineyard Jazz Festival, and the Toronto Jazz Festival.

Shmerling's recorded work has carried him beyond the New York scene as well. He is the bassist on two albums led by Japanese drummer Tomohiro Mori, Grand Slam (2016) and Uptown Bound (2018), both featuring pianist Takeshi Ohbayashi and saxophonist Braxton Cook. On Ohbayashi's own trio album Manhattan (2016, Somethin' Cool), he splits the rhythm chair with bassist Yasushi Nakamura, playing four of the eight tracks alongside drummer Terri Lyne Carrington while Nakamura and drummer Nate Smith cover the other four. More recent sideman credits include pianist Dave Meder's Passage (2019), vocalist-pianist Hila Kulik's More Than a Change (2023, featuring saxophonist Itai Kriss and reed player Alexander Levin), pianist Victor Gould's In Our Time (2021), and singer-songwriter Grant Richards's Menagerie (2024).

Shmerling is a modern, swing-rooted bassist equally comfortable on double bass and electric bass, with a big-band and military-orchestra foundation that gave way to a New York career built almost entirely around post-bop small-group work. He functions as a first-call sideman rather than a leader, valued for anchoring working rhythm sections over years rather than one-off session dates, as his repeated multi-year pairings with pianists Victor Gould and Takeshi Ohbayashi and his standing membership in Eli Degibri's touring quartet both demonstrate.

Key Recordings
Full Discography

Tamir Shmerling: Full Discography

Identity confirmed via the live Discogs API: artist ID 5714586, profile note "Jazz bassist," with namevariations "Schmerling" and the Hebrew תמיר שמרלינג. Discogs' own artist-releases listing covers 18 of his credits; several additional sideman dates documented on AllMusic and SmallsLIVE are not on Discogs at all and are noted individually below. Shmerling has no leader or co-led release in any source checked, so this file is a sideman-only discography, not itemized into a separate leader table.

As Sideman (selected credits)

Year Project (Leader) Title Label Catalog Role Notes
2015 (rec.), 2017 (rel.) Miles Donahue The Bug Whaling City Sound WCS 098 Bass His first documented American recording, per the German Wikipedia biography; the release-level credit carries no track restriction for Shmerling, while guitarist Mike Stern and drummer Larry Finn are each restricted to specific tracks, confirming an album-wide bass chair
2016 Takeshi Ohbayashi Trio Manhattan Somethin' Cool SCOL-1016 Bass (tracks 2, 3, 5, 6) Discogs lists this release under a master (2592512) resolved to its main_release; the rhythm section splits in half, with Shmerling and drummer Terri Lyne Carrington on four tracks and bassist Yasushi Nakamura and drummer Nate Smith on the other four, all track numbers explicit on the release
2016 Tomohiro Mori Grand Slam Tomohiro Mori Music none Bass Untracked, untagged credit; pianist Takeshi Ohbayashi and saxophonist Braxton Cook also appear album-wide, while trumpeter Wayne Tucker is restricted to tracks 1, 4, and 7, confirming Shmerling's chair covers the full album
2017 Guy Mintus Trio A Home In Between Mintus Music none Bass (track: "In The Moment") Discogs' artist-releases listing shows this as a single-track appearance credit; not independently verified at release level beyond that listing
2017 Dan Pugach Nonet Plus One Unit Records UTR 4816 Bass Untracked, untagged credit on a nine-piece date; several other players (pianists Carmen Staaf and Jorn Swart, trumpeters Ingrid Jensen and David Smith) split the album by track while Shmerling and drummer/leader Dan Pugach play throughout
2018 Addison Frei Trio No Defense TCB Records TCB 35502 Bass; co-writer, track 5 ("T Tune") Recorded for the Generations International Jazzfestival Frauenfeld; the bass credit is untracked and album-wide, and Shmerling also receives a Written-By credit on track 5
2018 Caroline Davis Heart Tonic Sunnyside SSC 1506 Acoustic and electric bass Untracked, untagged credit; guest organist Benjamin Hoffmann and percussionist Rogerio Boccato are each restricted to specific tracks on the same release, confirming Shmerling's is the album-wide bass chair
2018 Tomohiro Mori Uptown Bound Apollo Sounds APLS-1803 Bass Untracked, untagged credit, same working trio as Grand Slam two years earlier
2018 Eli Degibri Soul Station Not On Label (Eli Degibri Self-released) none Bass Recorded July 5-6, 2017; a tribute to Hank Mobley's 1960 album of the same name. No credit on this release carries any track restriction, so Discogs alone is ambiguous; AllAboutJazz's personnel data and Shmerling's documented standing membership in Eli Degibri's touring quartet corroborate this as an album-wide credit
2019 Dave Meder Passage Not On Label none Bass Untracked, untagged credit; a second bassist, Marty Jaffe, is restricted to track 9 alone, confirming Shmerling covers the rest of the album
2021 Victor Gould In Our Time Blue Room Music 1007 Bass Untracked, untagged credit; saxophonist Dayna Stephens and a guest string section are each restricted to specific tracks on the same release, confirming Shmerling's album-wide chair
2022 Caili O'Doherty Quarantine Dream Posi-Tone Records none Bass (per AllMusic) Not on Discogs; sourced from AllMusic's credit listing and not independently verified at track level
2023 Hila Kulik More Than A Change One Trick Dog Records none Acoustic bass Untracked, untagged credit alongside saxophonist Itai Kriss (flute) and reed player Alexander Levin (tenor saxophone)
2024 Grant Richards Menagerie La Reserve Records LR-GR001 Bass Untracked, untagged credit; several guest vocalists and string players are restricted to specific tracks on the same release, confirming Shmerling's album-wide bass chair. Recorded February-August 2023 at Keyboard Heaven Studios, Brooklyn (per the label's Bandcamp credits)

Additional sideman credits, not independently verified at Discogs release level

Per AllMusic's credit listing (not cross-checked against Discogs, which does not carry these titles): Primavera and Estrella de Mar (The Mario Castro Quintet, composer/bass credits), Baby on the Subway (Camille Harris), and three further Grant Richards albums predating Menagerie - Green Thumb, Blaze of Glory, and Asunder. These are named for completeness but not detailed in the table above, since no release-level personnel data was available to confirm role or track scope for any of them.

Discogs also lists two 2010-2011 compilation appearances (Birds Of A Weather, Jazz Revelation Records, 2010; and the Hebrew-language various-artists box set 2 צדדים למטבע: הפרויקט, 2011) and a 2016 credit on Juan Carlos Polo's Insomnio, all pre-dating or overlapping his earliest Berklee years; these are omitted from the main table as minor, unverified compilation-track appearances rather than significant leader-adjacent sideman work.

Personnel & Collaborations
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